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O processo de criação de Ricardo Basbaum quanto ao uso do diagrama e da voz

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Resumo:Since the 1960s, the visual arts have expanded their practice, adopting new procedures for their practices, which has opened space for other sensorialities to be considered and desired as different ways of experiencing the world and producing new discourses. This caused a certain combat to the materiality of the work from the production of experiments that had the idea of a resistance to the market and of escape of the representation. The legacy of that time has repercussions on what is currently produced, especially in the work of Ricardo Basbaum, who is characterized as a great system in which the diagram and the voice are material. Both, articulated under the bias of the philosophy of difference, motivate the field of its creative process. What this article intends to address is the creative process of the artist in particular the different expressions of the concept of diagram from the work of Gilles Deleuze relating it with the voice as experimental ingenuity of singular visualities as a creative procedure of the artist
Autores principais:Torrezan, Gustavo Henrique
Assunto:Basbaum, Ricardo, 1961- Arte - Filosofia Voz Texto Experimentação Criação artística História da arte Crítica da arte Brasil
Ano:2019
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa

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