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Violence Framed: Remediating Images of Racialized Violence in Film

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Resumo:This chapter examines the remediation of images of racialized violence in the films I Am Not Your Negro, directed by Raoul Peck, and BlacKkKlansman, by Spike Lee, and the HBO series Lovecraft Country, by Misha Green, in particular, how their use of remediation sutures past and present images of violence, re-familiarizing audiences with the realities of the past of anti-Black violence and its physical and representational afterlives. The twofold focus of analysis is on: (1) the uncovering of the representational violence of the whiteness within sci-fi and romantic-comedy films and westerns of classical Hollywood cinema; and (2) the quotation of lynching photographs. The use of visual quotations as part of Peck, Lee, and Green’s social justice agenda is concurrently assessed.
Autores principais:Mendes, Ana Cristina
Assunto:Violence and representation Postcolonial studies Film studies H P Lovecraft Lovecraft Country BlacKKKlansman Spike Lee Misha Green Raoul Peck James Baldwin Cultural studies Whiteness
Ano:2022
País:Portugal
Tipo de documento:capítulo de livro
Tipo de acesso:acesso restrito
Instituição associada:Universidade de Lisboa
Idioma:inglês
Origem:Repositório da Universidade de Lisboa
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author Mendes, Ana Cristina
author_facet Mendes, Ana Cristina
Mendes, Ana Cristina
author_role author
contributor_name_str_mv Repositório Científico de Acesso Aberto da ULisboa
country_str PT
creators_json_str [{\"Person.name\":\"Mendes, Ana Cristina\",\"Person.identifier.orcid\":\"0000-0002-3596-0701\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Repositório Científico de Acesso Aberto da ULisboa
datacite.creators.creator.creatorName.fl_str_mv Mendes, Ana Cristina
datacite.date.Accepted.fl_str_mv 2022-01-01T00:00:00Z
datacite.date.available.fl_str_mv 2022-11-14T14:18:22Z
datacite.date.embargoed.fl_str_mv 2022-11-14T14:18:22Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_16ec
datacite.subjects.subject.fl_str_mv Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
datacite.titles.title.fl_str_mv Violence Framed: Remediating Images of Racialized Violence in Film
dc.contributor.none.fl_str_mv Repositório Científico de Acesso Aberto da ULisboa
dc.creator.none.fl_str_mv Mendes, Ana Cristina
dc.date.Accepted.fl_str_mv 2022-01-01T00:00:00Z
dc.date.available.fl_str_mv 2022-11-14T14:18:22Z
dc.date.embargoed.fl_str_mv 2022-11-14T14:18:22Z
dc.format.none.fl_str_mv application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10451/55114
dc.language.none.fl_str_mv eng
dc.publisher.none.fl_str_mv Palgrave Macmillan
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_16ec
dc.subject.none.fl_str_mv Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
dc.title.fl_str_mv Violence Framed: Remediating Images of Racialized Violence in Film
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_3248
description This chapter examines the remediation of images of racialized violence in the films I Am Not Your Negro, directed by Raoul Peck, and BlacKkKlansman, by Spike Lee, and the HBO series Lovecraft Country, by Misha Green, in particular, how their use of remediation sutures past and present images of violence, re-familiarizing audiences with the realities of the past of anti-Black violence and its physical and representational afterlives. The twofold focus of analysis is on: (1) the uncovering of the representational violence of the whiteness within sci-fi and romantic-comedy films and westerns of classical Hollywood cinema; and (2) the quotation of lynching photographs. The use of visual quotations as part of Peck, Lee, and Green’s social justice agenda is concurrently assessed.
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institution Universidade de Lisboa
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person_str_mv Mendes, Ana Cristina
Mendes, Ana Cristina
https://www.ciencia-id.pt/D214-A7C9-8A02
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publisher.none.fl_str_mv Palgrave Macmillan
reponame_str Repositório da Universidade de Lisboa
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spelling engPalgrave Macmillanpt_PTThis chapter examines the remediation of images of racialized violence in the films I Am Not Your Negro, directed by Raoul Peck, and BlacKkKlansman, by Spike Lee, and the HBO series Lovecraft Country, by Misha Green, in particular, how their use of remediation sutures past and present images of violence, re-familiarizing audiences with the realities of the past of anti-Black violence and its physical and representational afterlives. The twofold focus of analysis is on: (1) the uncovering of the representational violence of the whiteness within sci-fi and romantic-comedy films and westerns of classical Hollywood cinema; and (2) the quotation of lynching photographs. The use of visual quotations as part of Peck, Lee, and Green’s social justice agenda is concurrently assessed.application/pdfpt_PTViolence Framed: Remediating Images of Racialized Violence in FilmPersonalMendes, Ana CristinaDSpacehttp://dspace.org/items/9e8b97a6-733e-4183-aaf7-ac3bfa0674e9DSpacehttp://dspace.org/items/9e8b97a6-733e-4183-aaf7-ac3bfa0674e9MendesAnaCiência IDhttps://www.ciencia-id.ptD214-A7C9-8A02ORCIDhttp://orcid.org0000-0002-3596-0701Researcher IDhttps://www.researcherid.comK-9981-2015Scopus Author IDhttps://www.scopus.com36161897400HostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptISBNIsPartOf978-3-031-05389-4DOIIsPartOfhttp://doi.org/10.1007/978-3-031-05390-0_152022-11-14T14:18:22Z20222022-01-01T00:00:00ZHandlehttp://hdl.handle.net/10451/55114http://purl.org/coar/access_right/c_16ecrestricted accessViolence and representationPostcolonial studiesFilm studiesH P LovecraftLovecraft CountryBlacKKKlansmanSpike LeeMisha GreenRaoul PeckJames BaldwinCultural studiesWhiteness393343 bytesliteraturehttp://purl.org/coar/resource_type/c_3248book parthttp://purl.org/coar/access_right/c_16ecapplication/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/d4ea6c24-641c-4c50-a987-616e59b34f85/downloadThe Palgrave Handbook of Violence in Film and Media1297314Cham, UK
spellingShingle Violence Framed: Remediating Images of Racialized Violence in Film
Violence Framed: Remediating Images of Racialized Violence in Film
Mendes, Ana Cristina
Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
Mendes, Ana Cristina
Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
status SINGLETON
subject.fl_str_mv Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
title Violence Framed: Remediating Images of Racialized Violence in Film
title_full Violence Framed: Remediating Images of Racialized Violence in Film
title_fullStr Violence Framed: Remediating Images of Racialized Violence in Film
Violence Framed: Remediating Images of Racialized Violence in Film
title_full_unstemmed Violence Framed: Remediating Images of Racialized Violence in Film
Violence Framed: Remediating Images of Racialized Violence in Film
title_short Violence Framed: Remediating Images of Racialized Violence in Film
title_sort Violence Framed: Remediating Images of Racialized Violence in Film
topic Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
topic_facet Violence and representation
Postcolonial studies
Film studies
H P Lovecraft
Lovecraft Country
BlacKKKlansman
Spike Lee
Misha Green
Raoul Peck
James Baldwin
Cultural studies
Whiteness
url http://hdl.handle.net/10451/55114
visible 1