Publicação

Salman Rushdie and Translation

Detalhes bibliográficos
Autores principais:	Mendes, Ana Cristina
Assunto:	Rushdie, Salman, 1947- - Crítica e interpretação Translation studies Postcolonial studies Postcolonial literature Adaptation studies
Ano:	2015
País:	Portugal
Tipo de documento:	recensão
Tipo de acesso:	acesso restrito
Instituição associada:	Universidade de Lisboa
Idioma:	inglês
Origem:	Repositório da Universidade de Lisboa

Registos relacionados

New Directions in Rushdie Studies
por: Mendes, Ana Cristina
Publicado em: (2017)

Salman Rushdie in the Cultural Marketplace
por: Mendes, Ana Cristina
Publicado em: (2013)

Salman Rushdie Superstar: The Making of Postcolonial Literary Stardom
por: Mendes, Ana Cristina
Publicado em: (2010)

Cultural Warfare Redux: Salman Rushdie’s Knighthood
por: Mendes, Ana Cristina
Publicado em: (2010)

Salman Rushdie’s ‘Epico-Mythico-Tragico-Comico-Super-Sexy-High-Masala-Art,’ or Considerations on Undisciplining Boundaries
por: Mendes, Ana Cristina
Publicado em: (2012)

"Not 'Goods From Foreign' But Made in India": As Indústrias Culturais na Obra de Salman Rushdie
por: Mendes, Ana Cristina
Publicado em: (2011)

Forging identities in the ‘New World’: a Study of Salman Rushdie’s Fury
por: Mendes, Ana Cristina
Publicado em: (2014)

Salman Rushdie: The Accidental Intellectual in the Mediascape
por: Mendes, Ana Cristina
Publicado em: (2018)

Salman Rushdie and Visual Art and Culture
por: Mendes, Ana Cristina
Publicado em: (2023)

“Artworks, unlike terrorists, change nothing": Salman Rushdie and September 11
por: Mendes, Ana Cristina
Publicado em: (2009)

“A techno state of mind": Salman Rushdie and technophilia
por: Mendes, Ana Cristina
Publicado em: (2006)

“Beware Behalfies!": Contradictory Affiliations in Salman Rushdie’s Step Across This Line
por: Mendes, Ana Cristina
Publicado em: (2011)

Exciting Tales of Exotic Dark India: Aravind Adiga’s The White Tiger
por: Mendes, Ana Cristina
Publicado em: (2010)

"Bombay/ ‘Wombay": Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet
por: Mendes, Ana Cristina
Publicado em: (2012)

Cumplicidades reorientalistas, reconfigurações identitárias: Salman Rushdie no mercado cultural global
por: Mendes, Ana Cristina
Publicado em: (2018)

Re-Orientalism is on TV: From Salman Rushdie’s The Aliens Show to The Kumars at No. 42
por: Mendes, Ana Cristina
Publicado em: (2011)

Padma or No Padma : Audience in the Adaptations of Midnight’s Children
por: Mendes, Ana Cristina
Publicado em: (2017)

Introduction: New Directions, New Approaches
por: Mendes, Ana Cristina
Publicado em: (2018)

"A magpie tendency" : Salman Rushdie and cultural brokerism
por: Mendes, Ana Cristina Ferreira
Publicado em: (2010)

Refracting Fundamentalism in Mira Nair’s The Reluctant Fundamentalist
por: Mendes, Ana Cristina
Publicado em: (2016)

Hospitality and Amnesty: Aravind Adiga’s Narrative of Legal Liminality
por: Mendes, Ana Cristina
Publicado em: (2022)

Re-Orientalism and Indian writing in English
por: Mendes, Ana Cristina
Publicado em: (2017)

Decolonising English Studies from the Semi-Periphery
por: Mendes, Ana Cristina
Publicado em: (2023)

India through re-Orientalist Lenses
por: Mendes, Ana Cristina
Publicado em: (2014)

Sunjeev Sahota’s fictions of failed cosmopolitan conviviality
por: Mendes, Ana Cristina
Publicado em: (2019)

Prizing Sameness? Kiran Desai and the Booker Prize
por: Mendes, Ana Cristina
Publicado em: (2009)

Goa, the world and the arts in the caricatures by Mário de Miranda
por: Passos, Joana
Publicado em: (2013)

Women’s worlds in women’s words: poetry and memory in Vimala Devi and Eunice de Souza
por: Passos, Joana
Publicado em: (2019)

Twenty-First-Century Antigones : The Postcolonial Woman Shaped by 9/11 in Kamila Shamsie's Home Fire
por: Mendes, Ana Cristina Ferreira
Publicado em: (2021)

The precarious lives of India’s Others: The creativity of precarity in Arundhati Roy’s The Ministry of Utmost Happiness
por: Mendes, Ana Cristina
Publicado em: (2019)

The accentual dialogized heteroglossia of Shakespeare in India: Utpal Dutt’s legacy in Shakespeare Wallah and The Last Lear
por: Mendes, Ana Cristina
Publicado em: (2022)

Visuality and Parrēsia: Ai Weiwei’s countervisual re-enactment of Alan Kurdi’s image
por: Mendes, Ana Cristina
Publicado em: (2023)

Surviving The Jungle Book: Trans-temporal ventriloquism in Ian Iqbal Rashid’s Surviving Sabu
por: Mendes, Ana Cristina
Publicado em: (2018)

Adaptation and epistemic redress : the 1857 indian uprising in Junoon
por: Mendes, Ana Cristina
Publicado em: (2023)

When the People Behind the Scenes Come to the Fore
por: Gomis, Elsa
Publicado em: (2023)

The Eruption and Ruination of ‘Rising India’: Rana Dasgupta's Capital and the temporalities of Delhi in the 2010s
por: Mendes, Ana Cristina
Publicado em: (2018)

Remembering and fictionalizing inhospitable Europe: The experience of Portuguese retornados in Dulce Maria Cardoso’s The Return and Isabela Figueiredo’s Notebook of Colonial Memories
por: Mendes, Ana Cristina
Publicado em: (2017)

Translating Portuguese-Writing Africa into Italian : Sketching a Hostile Environment
por: Bucaioni, Marco
Publicado em: (2019)

Gendered Rage: A Postcolonial Reading of Commercial Gestational Surrogacy in India
por: Lau, Lisa
Publicado em: (2022)

The conjunctural spaces of ‘new India’: Imagined geographies of 2010s India in representations by returnee migrants
por: Mendes, Ana Cristina
Publicado em: (2018)