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Apontamentos sobre escultura e natureza

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Resumo:The starting point for the development to this theoretical work is placed in the relation between Sculpture and Nature, in the possibilities that the natural elements have offered to sculptural production through out times. In this sense, the work is focused in establishing the different modes of interaction and cooperation between Sculpture and Nature, circumscribing these modes as topics. The resources that Sculpture uses for its formation are explored and associated to different technical procedures with the aim of understanding the commitment between Sculpture and Nature - existent both at material and technical levels. The contribution that Nature gives for sculptural creation expands its outlines when the collaboration takes place in natural spaces. The material potentialities and the modes of integration in natural spaces transform the premises of production, many times challenging the boundaries of the definition of Sculpture. The idea of Nature - treated and “portrayed” through out time - continues to stimulate the sculptoric practice to find plastic solutions, translating elements and natural phenomena in tridimensional structures, always contributing for the enlargement of sculptoric production and its understanding
Autores principais:Sá, Tiago de, 1990-
Assunto:Escultura Natureza Land art Filosofia da natureza
Ano:2014
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
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author Sá, Tiago de, 1990-
author_facet Sá, Tiago de, 1990-
author_role author
contributor_name_str_mv Silva, João Castro, 1966-
Repositório Científico de Acesso Aberto da ULisboa
country_str PT
creators_json_txt [{\"Person.name\":\"Sá, Tiago de, 1990-\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Silva, João Castro, 1966-
Repositório Científico de Acesso Aberto da ULisboa
datacite.creators.creator.creatorName.fl_str_mv Sá, Tiago de, 1990-
datacite.date.Accepted.fl_str_mv 2014-01-01T00:00:00Z
datacite.date.available.fl_str_mv 2014-07-22T17:03:06Z
datacite.date.embargoed.fl_str_mv 2014-07-22T17:03:06Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Escultura
Natureza
Land art
Filosofia da natureza
datacite.titles.title.fl_str_mv Apontamentos sobre escultura e natureza
dc.contributor.none.fl_str_mv Silva, João Castro, 1966-
Repositório Científico de Acesso Aberto da ULisboa
dc.creator.none.fl_str_mv Sá, Tiago de, 1990-
dc.date.Accepted.fl_str_mv 2014-01-01T00:00:00Z
dc.date.available.fl_str_mv 2014-07-22T17:03:06Z
dc.date.embargoed.fl_str_mv 2014-07-22T17:03:06Z
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10451/11478
dc.language.none.fl_str_mv por
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.subject.none.fl_str_mv Escultura
Natureza
Land art
Filosofia da natureza
dc.title.fl_str_mv Apontamentos sobre escultura e natureza
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_bdcc
description The starting point for the development to this theoretical work is placed in the relation between Sculpture and Nature, in the possibilities that the natural elements have offered to sculptural production through out times. In this sense, the work is focused in establishing the different modes of interaction and cooperation between Sculpture and Nature, circumscribing these modes as topics. The resources that Sculpture uses for its formation are explored and associated to different technical procedures with the aim of understanding the commitment between Sculpture and Nature - existent both at material and technical levels. The contribution that Nature gives for sculptural creation expands its outlines when the collaboration takes place in natural spaces. The material potentialities and the modes of integration in natural spaces transform the premises of production, many times challenging the boundaries of the definition of Sculpture. The idea of Nature - treated and “portrayed” through out time - continues to stimulate the sculptoric practice to find plastic solutions, translating elements and natural phenomena in tridimensional structures, always contributing for the enlargement of sculptoric production and its understanding
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format masterThesis
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identifier.url.fl_str_mv http://hdl.handle.net/10451/11478
instacron_str ul
institution Universidade de Lisboa
instname_str Universidade de Lisboa
language por
network_acronym_str ul
network_name_str Repositório da Universidade de Lisboa
oai_identifier_str oai:repositorio.ulisboa.pt:10451/11478
organization_str_mv urn:organizationAcronym:ul
person_str_mv Sá, Tiago de, 1990-
publishDate 2014
reponame_str Repositório da Universidade de Lisboa
repository_id_str urn:repositoryAcronym:ul
service_str_mv urn:repositoryAcronym:ul
spelling porporThe starting point for the development to this theoretical work is placed in the relation between Sculpture and Nature, in the possibilities that the natural elements have offered to sculptural production through out times. In this sense, the work is focused in establishing the different modes of interaction and cooperation between Sculpture and Nature, circumscribing these modes as topics. The resources that Sculpture uses for its formation are explored and associated to different technical procedures with the aim of understanding the commitment between Sculpture and Nature - existent both at material and technical levels. The contribution that Nature gives for sculptural creation expands its outlines when the collaboration takes place in natural spaces. The material potentialities and the modes of integration in natural spaces transform the premises of production, many times challenging the boundaries of the definition of Sculpture. The idea of Nature - treated and “portrayed” through out time - continues to stimulate the sculptoric practice to find plastic solutions, translating elements and natural phenomena in tridimensional structures, always contributing for the enlargement of sculptoric production and its understandingimage/jpegapplication/pdfporApontamentos sobre escultura e naturezaSá, Tiago de, 1990-Silva, João Castro, 1966-HostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:2013365962014-07-22T17:03:06Z20142014-01-01T00:00:00ZHandlehttp://hdl.handle.net/10451/11478http://purl.org/coar/access_right/c_abf2open accessEsculturaNaturezaLand artFilosofia da natureza113587 bytes4353926 bytesliteraturehttp://purl.org/coar/resource_type/c_bdccmaster thesishttp://purl.org/coar/access_right/c_abf2image/jpegfulltexthttps://repositorio.ulisboa.pt/bitstreams/8f615c1d-b970-4b32-9865-eb7dc3787de3/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/70dda9b2-18df-4f35-9c4a-32a71b1bed0a/download
spellingShingle Apontamentos sobre escultura e natureza
Sá, Tiago de, 1990-
Escultura
Natureza
Land art
Filosofia da natureza
status SINGLETON
subject.fl_str_mv Escultura
Natureza
Land art
Filosofia da natureza
title Apontamentos sobre escultura e natureza
title_full Apontamentos sobre escultura e natureza
title_fullStr Apontamentos sobre escultura e natureza
title_full_unstemmed Apontamentos sobre escultura e natureza
title_short Apontamentos sobre escultura e natureza
title_sort Apontamentos sobre escultura e natureza
topic Escultura
Natureza
Land art
Filosofia da natureza
topic_facet Escultura
Natureza
Land art
Filosofia da natureza
url http://hdl.handle.net/10451/11478
visible 1