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A terceira mão : o gesto informe

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Resumo:The experience of the disabled body is the focus of this dissertation. The Third Hand is the subjective organism that stitches together the fragments of personal memory, artistic practice, and conceptual references. Between the efficiency and the deficiency of the body, the similarity and dissimilarity between the hands, there is the formless gesture in dialogue with Georges Bataille that is manifested through the drawing. His daily practice, inside and outside the studio, is the guiding thread of the confrontations between the hand and the instrument, between the hand and the world, in intimate research that reveals the symptoms behind the disabled corporeality, what I call decorporeity. Left hand and right hand in constant clashes in the capture of their gestural intentions, which from the drawing, unfold in performances, installations, and videos. The dissertation is built in three chapters that gradually lead to the approaches and findings of the study in intersection with works that subvert the function and symbology of the hands and with artists with disabilities who question the normative imaginary from their identities. Each chapter is composed of three subchapters that intertwine, with the series of drawings O Monstruário being the backbone that sustains the deviations of the body under investigation
Autores principais:Souza, Daniel Moraes Siqueira
Assunto:Pintura Arte contemporânea Pessoas com deficiência Corpo humano Desenho Mão
Ano:2023
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
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author Souza, Daniel Moraes Siqueira
author_facet Souza, Daniel Moraes Siqueira
author_role author
contributor_name_str_mv Jacinto, João Manuel da Rocha
Portella, Isabel
Repositório Científico de Acesso Aberto da ULisboa
country_str PT
creators_json_txt [{\"Person.name\":\"Souza, Daniel Moraes Siqueira\"}]
datacite.contributors.contributor.contributorName.fl_str_mv Jacinto, João Manuel da Rocha
Portella, Isabel
Repositório Científico de Acesso Aberto da ULisboa
datacite.creators.creator.creatorName.fl_str_mv Souza, Daniel Moraes Siqueira
datacite.date.Accepted.fl_str_mv 2023-07-31T00:00:00Z
datacite.date.available.fl_str_mv 2023-10-20T15:34:13Z
datacite.date.embargoed.fl_str_mv 2023-10-20T15:34:13Z
datacite.rights.fl_str_mv http://purl.org/coar/access_right/c_abf2
datacite.subjects.subject.fl_str_mv Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
datacite.titles.title.fl_str_mv A terceira mão : o gesto informe
dc.contributor.none.fl_str_mv Jacinto, João Manuel da Rocha
Portella, Isabel
Repositório Científico de Acesso Aberto da ULisboa
dc.creator.none.fl_str_mv Souza, Daniel Moraes Siqueira
dc.date.Accepted.fl_str_mv 2023-07-31T00:00:00Z
dc.date.available.fl_str_mv 2023-10-20T15:34:13Z
dc.date.embargoed.fl_str_mv 2023-10-20T15:34:13Z
dc.format.none.fl_str_mv image/jpeg
application/pdf
dc.identifier.none.fl_str_mv http://hdl.handle.net/10451/59919
dc.language.none.fl_str_mv por
dc.rights.none.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.subject.none.fl_str_mv Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
dc.title.fl_str_mv A terceira mão : o gesto informe
dc.type.none.fl_str_mv http://purl.org/coar/resource_type/c_bdcc
description The experience of the disabled body is the focus of this dissertation. The Third Hand is the subjective organism that stitches together the fragments of personal memory, artistic practice, and conceptual references. Between the efficiency and the deficiency of the body, the similarity and dissimilarity between the hands, there is the formless gesture in dialogue with Georges Bataille that is manifested through the drawing. His daily practice, inside and outside the studio, is the guiding thread of the confrontations between the hand and the instrument, between the hand and the world, in intimate research that reveals the symptoms behind the disabled corporeality, what I call decorporeity. Left hand and right hand in constant clashes in the capture of their gestural intentions, which from the drawing, unfold in performances, installations, and videos. The dissertation is built in three chapters that gradually lead to the approaches and findings of the study in intersection with works that subvert the function and symbology of the hands and with artists with disabilities who question the normative imaginary from their identities. Each chapter is composed of three subchapters that intertwine, with the series of drawings O Monstruário being the backbone that sustains the deviations of the body under investigation
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institution Universidade de Lisboa
instname_str Universidade de Lisboa
language por
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network_name_str Repositório da Universidade de Lisboa
oai_identifier_str oai:repositorio.ulisboa.pt:10451/59919
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person_str_mv Souza, Daniel Moraes Siqueira
publishDate 2023
reponame_str Repositório da Universidade de Lisboa
repository_id_str urn:repositoryAcronym:ul
service_str_mv urn:repositoryAcronym:ul
spelling porpt_PTThe experience of the disabled body is the focus of this dissertation. The Third Hand is the subjective organism that stitches together the fragments of personal memory, artistic practice, and conceptual references. Between the efficiency and the deficiency of the body, the similarity and dissimilarity between the hands, there is the formless gesture in dialogue with Georges Bataille that is manifested through the drawing. His daily practice, inside and outside the studio, is the guiding thread of the confrontations between the hand and the instrument, between the hand and the world, in intimate research that reveals the symptoms behind the disabled corporeality, what I call decorporeity. Left hand and right hand in constant clashes in the capture of their gestural intentions, which from the drawing, unfold in performances, installations, and videos. The dissertation is built in three chapters that gradually lead to the approaches and findings of the study in intersection with works that subvert the function and symbology of the hands and with artists with disabilities who question the normative imaginary from their identities. Each chapter is composed of three subchapters that intertwine, with the series of drawings O Monstruário being the backbone that sustains the deviations of the body under investigationimage/jpegapplication/pdfpt_PTA terceira mão : o gesto informeSouza, Daniel Moraes SiqueiraJacinto, João Manuel da RochaPortella, IsabelHostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:2033532852023-10-20T15:34:13Z2023-07-312023-07-31T00:00:00ZHandlehttp://hdl.handle.net/10451/59919http://purl.org/coar/access_right/c_abf2open accessPinturaArte contemporâneaPessoas com deficiênciaCorpo humanoDesenhoMão133128 bytes49014369 bytesliteraturehttp://purl.org/coar/resource_type/c_bdccmaster thesishttp://purl.org/coar/access_right/c_abf2image/jpegfulltexthttps://repositorio.ulisboa.pt/bitstreams/0a947877-3617-43e1-8295-d6d23163fd58/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/99201a3b-5286-4038-a33a-c5e8636b97ec/download
spellingShingle A terceira mão : o gesto informe
Souza, Daniel Moraes Siqueira
Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
status SINGLETON
subject.fl_str_mv Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
title A terceira mão : o gesto informe
title_full A terceira mão : o gesto informe
title_fullStr A terceira mão : o gesto informe
title_full_unstemmed A terceira mão : o gesto informe
title_short A terceira mão : o gesto informe
title_sort A terceira mão : o gesto informe
topic Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
topic_facet Pintura
Arte contemporânea
Pessoas com deficiência
Corpo humano
Desenho
Mão
url http://hdl.handle.net/10451/59919
visible 1