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Le Monde comme un tableau

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Resumo:We find in Le Monde comme un Tableau, a kind of ars ludens, just as we have an aesthetic paradigm based on different and different assumptions, namely at the level of the idea of ommunication and the idea of play, but also the idea of aesthetic experience that is consubstantiated as playful behavior, as a real path to the unusual aesthetic attitude. In truth Le Monde comme un Tableau allows us to think in another way the possibility of the work of art sublimated or (re) presented as a game, that is, the double reciprocity of art as a game and the game as an art, that is, the idea that there is a narrative about the idea of work as an operative and operational object, supported simultaneously by an artistic motor where the poetics of creation and the aesthetics of reception come together and become contaminated - as happened in different quarters, with Dada and Duchamp, or with Broodtaers and Fluxus. So nouveau réalisme is a place where the game between art and life is a constant of an exceptionally pioneering and innovative artistic culture. In this way, an artistic investigation emerges, to the act of creating, which is interdisciplinary and transversal, and where different domains such as theoretical and aesthetic, or historical and political, are found and reconciled in a art of the object.
Autores principais:Quadros Ferreira, António
Assunto:Arte Novo Realismo Crítica da Arte
Ano:2018
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa

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