Publicação
Cisão do olhar : alegoria e dialética na era digital
| Resumo: | This work of theoretical and practical research is accomplished in an artistic project, which conceptualization is based on the theory of allegory as a form of expression, developed by Walter Benjamin in his book Origem do drama barroco alemão (1984). It intends to reflect on the contemporary audiovisual image, in specific, that which is structured in a dialectical way in relation to the present, transposing the concepts formulated by the author in his theory, to the context of contemporary audiovisual artistic creation, through the project Cisão do Olhar: Dialectic Allegory in the Digital Age, being this the premise for its development. This report is divided into three main chapters, the first of which concerns the theoretical framework and bibliographic review; the second, the discussion and problematization; and the third, the presentation of practical results and their procedural development. The first chapter begins with the presentation of the allegory and its relationship with rhetoric and persuasion, moving on to the presentation of Walter Benjamin's theory, where several of his concepts are analyzed, whose dialectical nature led the investigation into a possible relationship between art and knowledge, and its epistemology, together with the various types of learning proposed through it. Through the method of analysis proposed by Erving Goffman (1974), we observe how the interpretation and creation of meanings is possible, in relation to the communicative and expressive intention of the [unknown] work of art, in a similar way to the interpretation of everyday experiences. The following subchapter identifies the relationship between cinema and geometry, and between geometry and perception, through the contributions of the authors of reference, ending with the analysis of the artistic exhibition as an art form and the museum as technology, from the historical and philosophical point of view, contemplating its past and future path. The discussion begins with an essay in which the allegory is problematized, from the perspective of art philosophy, questioning its contemporary meaning and evidencing its relationship with history. Introducing some of the practical results, a problematization of perception begins, supported by the research of Jonathan Crary (1999) on the theme, culminating with the invention of the cinematographic dispositive, leading the discussion to the aesthetic trends of the origins of cinema, ending with the conceptualization of each one of the three allegories that compose the project, formulated through their respective title. The final part of this document presents the practical authorial project, regarding the development of its process, its practical results and the necessary requirements, in terms of space and place indicated, for the expositive and sound installation. |
|---|---|
| Autores principais: | Rocha, André Ricardo Freire |
| Assunto: | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| Ano: | 2020 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| _version_ | 1866811531141840896 |
|---|---|
| author | Rocha, André Ricardo Freire |
| author_facet | Rocha, André Ricardo Freire |
| author_role | author |
| contributor_name_str_mv | Queiroz, João Paulo Gomes de Araujo Repositório Científico de Acesso Aberto da ULisboa |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Rocha, André Ricardo Freire\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Queiroz, João Paulo Gomes de Araujo Repositório Científico de Acesso Aberto da ULisboa |
| datacite.creators.creator.creatorName.fl_str_mv | Rocha, André Ricardo Freire |
| datacite.date.Accepted.fl_str_mv | 2020-12-18T00:00:00Z |
| datacite.date.available.fl_str_mv | 2021-01-19T11:30:48Z |
| datacite.date.embargoed.fl_str_mv | 2021-01-19T11:30:48Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| datacite.titles.title.fl_str_mv | Cisão do olhar : alegoria e dialética na era digital |
| dc.contributor.none.fl_str_mv | Queiroz, João Paulo Gomes de Araujo Repositório Científico de Acesso Aberto da ULisboa |
| dc.creator.none.fl_str_mv | Rocha, André Ricardo Freire |
| dc.date.Accepted.fl_str_mv | 2020-12-18T00:00:00Z |
| dc.date.available.fl_str_mv | 2021-01-19T11:30:48Z |
| dc.date.embargoed.fl_str_mv | 2021-01-19T11:30:48Z |
| dc.format.none.fl_str_mv | image/jpeg application/pdf application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10451/45830 |
| dc.language.none.fl_str_mv | por |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| dc.title.fl_str_mv | Cisão do olhar : alegoria e dialética na era digital |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_bdcc |
| description | This work of theoretical and practical research is accomplished in an artistic project, which conceptualization is based on the theory of allegory as a form of expression, developed by Walter Benjamin in his book Origem do drama barroco alemão (1984). It intends to reflect on the contemporary audiovisual image, in specific, that which is structured in a dialectical way in relation to the present, transposing the concepts formulated by the author in his theory, to the context of contemporary audiovisual artistic creation, through the project Cisão do Olhar: Dialectic Allegory in the Digital Age, being this the premise for its development. This report is divided into three main chapters, the first of which concerns the theoretical framework and bibliographic review; the second, the discussion and problematization; and the third, the presentation of practical results and their procedural development. The first chapter begins with the presentation of the allegory and its relationship with rhetoric and persuasion, moving on to the presentation of Walter Benjamin's theory, where several of his concepts are analyzed, whose dialectical nature led the investigation into a possible relationship between art and knowledge, and its epistemology, together with the various types of learning proposed through it. Through the method of analysis proposed by Erving Goffman (1974), we observe how the interpretation and creation of meanings is possible, in relation to the communicative and expressive intention of the [unknown] work of art, in a similar way to the interpretation of everyday experiences. The following subchapter identifies the relationship between cinema and geometry, and between geometry and perception, through the contributions of the authors of reference, ending with the analysis of the artistic exhibition as an art form and the museum as technology, from the historical and philosophical point of view, contemplating its past and future path. The discussion begins with an essay in which the allegory is problematized, from the perspective of art philosophy, questioning its contemporary meaning and evidencing its relationship with history. Introducing some of the practical results, a problematization of perception begins, supported by the research of Jonathan Crary (1999) on the theme, culminating with the invention of the cinematographic dispositive, leading the discussion to the aesthetic trends of the origins of cinema, ending with the conceptualization of each one of the three allegories that compose the project, formulated through their respective title. The final part of this document presents the practical authorial project, regarding the development of its process, its practical results and the necessary requirements, in terms of space and place indicated, for the expositive and sound installation. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | masterThesis |
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| id | ul_bcf4f4e140f2d074e5cccbb512ba7a54 |
| identifier.url.fl_str_mv | http://hdl.handle.net/10451/45830 |
| instacron_str | ul |
| institution | Universidade de Lisboa |
| instname_str | Universidade de Lisboa |
| language | por |
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| network_name_str | Repositório da Universidade de Lisboa |
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| organization_str_mv | urn:organizationAcronym:ul |
| person_str_mv | Rocha, André Ricardo Freire |
| publishDate | 2020 |
| reponame_str | Repositório da Universidade de Lisboa |
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| service_str_mv | urn:repositoryAcronym:ul |
| spelling | porpt_PTThis work of theoretical and practical research is accomplished in an artistic project, which conceptualization is based on the theory of allegory as a form of expression, developed by Walter Benjamin in his book Origem do drama barroco alemão (1984). It intends to reflect on the contemporary audiovisual image, in specific, that which is structured in a dialectical way in relation to the present, transposing the concepts formulated by the author in his theory, to the context of contemporary audiovisual artistic creation, through the project Cisão do Olhar: Dialectic Allegory in the Digital Age, being this the premise for its development. This report is divided into three main chapters, the first of which concerns the theoretical framework and bibliographic review; the second, the discussion and problematization; and the third, the presentation of practical results and their procedural development. The first chapter begins with the presentation of the allegory and its relationship with rhetoric and persuasion, moving on to the presentation of Walter Benjamin's theory, where several of his concepts are analyzed, whose dialectical nature led the investigation into a possible relationship between art and knowledge, and its epistemology, together with the various types of learning proposed through it. Through the method of analysis proposed by Erving Goffman (1974), we observe how the interpretation and creation of meanings is possible, in relation to the communicative and expressive intention of the [unknown] work of art, in a similar way to the interpretation of everyday experiences. The following subchapter identifies the relationship between cinema and geometry, and between geometry and perception, through the contributions of the authors of reference, ending with the analysis of the artistic exhibition as an art form and the museum as technology, from the historical and philosophical point of view, contemplating its past and future path. The discussion begins with an essay in which the allegory is problematized, from the perspective of art philosophy, questioning its contemporary meaning and evidencing its relationship with history. Introducing some of the practical results, a problematization of perception begins, supported by the research of Jonathan Crary (1999) on the theme, culminating with the invention of the cinematographic dispositive, leading the discussion to the aesthetic trends of the origins of cinema, ending with the conceptualization of each one of the three allegories that compose the project, formulated through their respective title. The final part of this document presents the practical authorial project, regarding the development of its process, its practical results and the necessary requirements, in terms of space and place indicated, for the expositive and sound installation.image/jpegapplication/pdfapplication/pdfpt_PTCisão do olhar : alegoria e dialética na era digitalRocha, André Ricardo FreireQueiroz, João Paulo Gomes de AraujoHostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:2025708512021-01-19T11:30:48Z2020-12-182020-12-18T00:00:00ZHandlehttp://hdl.handle.net/10451/45830http://purl.org/coar/access_right/c_abf2open accessRocha, André Ricardo Freire, 1985-Benjamin, Walter, 1892-1940Golfman, Erving, 1922-1982Crary, Jonathan, 1951-Arte multimédiaAlegoriaDialéticaPercepção visualContemporaneidadeInstalações (Arte)433769 bytes9405922 bytes181541 bytesliteraturehttp://purl.org/coar/resource_type/c_bdccmaster thesishttp://purl.org/coar/access_right/c_abf2image/jpegfulltexthttps://repositorio.ulisboa.pt/bitstreams/de55053f-5a8f-4de7-a1b1-1ac2a2827a1d/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/ef10f787-41f6-44e5-b650-2bc89f47b32f/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/989d7f1a-4d25-4c25-8b43-622e3c529587/download |
| spellingShingle | Cisão do olhar : alegoria e dialética na era digital Rocha, André Ricardo Freire Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| status | SINGLETON |
| subject.fl_str_mv | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| title | Cisão do olhar : alegoria e dialética na era digital |
| title_full | Cisão do olhar : alegoria e dialética na era digital |
| title_fullStr | Cisão do olhar : alegoria e dialética na era digital |
| title_full_unstemmed | Cisão do olhar : alegoria e dialética na era digital |
| title_short | Cisão do olhar : alegoria e dialética na era digital |
| title_sort | Cisão do olhar : alegoria e dialética na era digital |
| topic | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| topic_facet | Rocha, André Ricardo Freire, 1985- Benjamin, Walter, 1892-1940 Golfman, Erving, 1922-1982 Crary, Jonathan, 1951- Arte multimédia Alegoria Dialética Percepção visual Contemporaneidade Instalações (Arte) |
| url | http://hdl.handle.net/10451/45830 |
| visible | 1 |