Publicação
2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento
| Resumo: | This PhD Thesis is both theoretical and practical by nature. Putting Photography at its core, as an expanded field, the developed project assumed Bergson’s and Marey’s notions of movement and time, searching in the present time the seminal possibility of creating a new corporeal object. The analysis of the medium’s plastic characteristics, as well of its ability to show the luminous trace through blurred trails, lead to the observation of a continuous movement in an intensive time, where the referent’s shape is lost and replaced by what is unformed and shapeless. This work also implies the contrast between the classic process of threedimensionality’s loss through photography, characterized by the annulment of volumetry and depth, and the possibility to recover a voluminous existence through the image’s virtualization, bringing it closer to the sculptural and therefore allowing the passage of two-dimensionality to three-dimensionality. The theoretical analysis and the practical achievement aimed by this thesis resulted in a project — 2” to 8” — whose primordial goal is to illustrate how the photographic may become sculptural through movement and, with it, through the duration of the present time, generating an interval that materializes and becomes a corporeal object. This project highlights the fertile connection between scientific research and artistic creation, which has been raising more curiosity through the last couple of decades, becoming a natural object of investigation. In this case, the photographic thought, organized as a visual essay, articulates the typical intention and plan of a research project with the reflection resulting from the attention given by the researcher to its own creative process, thus becoming a methodological strategy as well. |
|---|---|
| Autores principais: | Alcântara, Octávio Manuel Rodrigues |
| Assunto: | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| Ano: | 2022 |
| País: | Portugal |
| Tipo de documento: | tese de doutoramento |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| _version_ | 1866810589010984960 |
|---|---|
| author | Alcântara, Octávio Manuel Rodrigues |
| author_facet | Alcântara, Octávio Manuel Rodrigues |
| author_role | author |
| contributor_name_str_mv | Moura, Catarina Isabel Grácio de Frade, Marta Alexandra da Costa Repositório Científico de Acesso Aberto da ULisboa |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Alcântara, Octávio Manuel Rodrigues\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Moura, Catarina Isabel Grácio de Frade, Marta Alexandra da Costa Repositório Científico de Acesso Aberto da ULisboa |
| datacite.creators.creator.creatorName.fl_str_mv | Alcântara, Octávio Manuel Rodrigues |
| datacite.date.Accepted.fl_str_mv | 2022-05-03T00:00:00Z |
| datacite.date.available.fl_str_mv | 2022-09-20T15:44:03Z |
| datacite.date.embargoed.fl_str_mv | 2022-09-20T15:44:03Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| datacite.titles.title.fl_str_mv | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| dc.contributor.none.fl_str_mv | Moura, Catarina Isabel Grácio de Frade, Marta Alexandra da Costa Repositório Científico de Acesso Aberto da ULisboa |
| dc.creator.none.fl_str_mv | Alcântara, Octávio Manuel Rodrigues |
| dc.date.Accepted.fl_str_mv | 2022-05-03T00:00:00Z |
| dc.date.available.fl_str_mv | 2022-09-20T15:44:03Z |
| dc.date.embargoed.fl_str_mv | 2022-09-20T15:44:03Z |
| dc.format.none.fl_str_mv | image/jpeg application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10451/54530 |
| dc.language.none.fl_str_mv | por |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| dc.title.fl_str_mv | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_db06 |
| description | This PhD Thesis is both theoretical and practical by nature. Putting Photography at its core, as an expanded field, the developed project assumed Bergson’s and Marey’s notions of movement and time, searching in the present time the seminal possibility of creating a new corporeal object. The analysis of the medium’s plastic characteristics, as well of its ability to show the luminous trace through blurred trails, lead to the observation of a continuous movement in an intensive time, where the referent’s shape is lost and replaced by what is unformed and shapeless. This work also implies the contrast between the classic process of threedimensionality’s loss through photography, characterized by the annulment of volumetry and depth, and the possibility to recover a voluminous existence through the image’s virtualization, bringing it closer to the sculptural and therefore allowing the passage of two-dimensionality to three-dimensionality. The theoretical analysis and the practical achievement aimed by this thesis resulted in a project — 2” to 8” — whose primordial goal is to illustrate how the photographic may become sculptural through movement and, with it, through the duration of the present time, generating an interval that materializes and becomes a corporeal object. This project highlights the fertile connection between scientific research and artistic creation, which has been raising more curiosity through the last couple of decades, becoming a natural object of investigation. In this case, the photographic thought, organized as a visual essay, articulates the typical intention and plan of a research project with the reflection resulting from the attention given by the researcher to its own creative process, thus becoming a methodological strategy as well. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | doctoralThesis |
| fulltext.url.fl_str_mv | https://repositorio.ulisboa.pt/bitstreams/a605be1d-93d4-4144-90e8-73c2c83f6b42/download |
| id | ul_fc563735fdffd2e1d5ba7ddbd23761a7 |
| identifier.url.fl_str_mv | http://hdl.handle.net/10451/54530 |
| instacron_str | ul |
| institution | Universidade de Lisboa |
| instname_str | Universidade de Lisboa |
| language | por |
| network_acronym_str | ul |
| network_name_str | Repositório da Universidade de Lisboa |
| oai_identifier_str | oai:repositorio.ulisboa.pt:10451/54530 |
| organization_str_mv | urn:organizationAcronym:ul |
| person_str_mv | Alcântara, Octávio Manuel Rodrigues |
| publishDate | 2022 |
| reponame_str | Repositório da Universidade de Lisboa |
| repository_id_str | urn:repositoryAcronym:ul |
| service_str_mv | urn:repositoryAcronym:ul |
| spelling | porpt_PTThis PhD Thesis is both theoretical and practical by nature. Putting Photography at its core, as an expanded field, the developed project assumed Bergson’s and Marey’s notions of movement and time, searching in the present time the seminal possibility of creating a new corporeal object. The analysis of the medium’s plastic characteristics, as well of its ability to show the luminous trace through blurred trails, lead to the observation of a continuous movement in an intensive time, where the referent’s shape is lost and replaced by what is unformed and shapeless. This work also implies the contrast between the classic process of threedimensionality’s loss through photography, characterized by the annulment of volumetry and depth, and the possibility to recover a voluminous existence through the image’s virtualization, bringing it closer to the sculptural and therefore allowing the passage of two-dimensionality to three-dimensionality. The theoretical analysis and the practical achievement aimed by this thesis resulted in a project — 2” to 8” — whose primordial goal is to illustrate how the photographic may become sculptural through movement and, with it, through the duration of the present time, generating an interval that materializes and becomes a corporeal object. This project highlights the fertile connection between scientific research and artistic creation, which has been raising more curiosity through the last couple of decades, becoming a natural object of investigation. In this case, the photographic thought, organized as a visual essay, articulates the typical intention and plan of a research project with the reflection resulting from the attention given by the researcher to its own creative process, thus becoming a methodological strategy as well.image/jpegapplication/pdfpt_PT2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimentoAlcântara, Octávio Manuel RodriguesMoura, Catarina Isabel Grácio deFrade, Marta Alexandra da CostaHostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptURNurn:tid:1015783502022-09-20T15:44:03Z2022-05-032022-05-03T00:00:00ZHandlehttp://hdl.handle.net/10451/54530http://purl.org/coar/access_right/c_abf2open accessFotografiaPercepção do movimentoEscultóricoCampo expandidoTridimensionalProjeto 2" a 8"592365 bytes32335288 bytesliteraturehttp://purl.org/coar/resource_type/c_db06doctoral thesishttp://purl.org/coar/access_right/c_abf2image/jpegfulltexthttps://repositorio.ulisboa.pt/bitstreams/a605be1d-93d4-4144-90e8-73c2c83f6b42/downloadhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/607dbde7-53c8-4719-80a1-44a524018769/download |
| spellingShingle | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento Alcântara, Octávio Manuel Rodrigues Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| status | SINGLETON |
| subject.fl_str_mv | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| title | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| title_full | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| title_fullStr | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| title_full_unstemmed | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| title_short | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| title_sort | 2" a 8" - Do movimento ao objeto corpóreo : como pode o fotográfico dar corpo ao movimento |
| topic | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| topic_facet | Fotografia Percepção do movimento Escultórico Campo expandido Tridimensional Projeto 2" a 8" |
| url | http://hdl.handle.net/10451/54530 |
| visible | 1 |