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Porto Alegre Street art as a generational experience.

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Resumo:Marked by its ephemeral and discontinuous character, street art has been playing an increasingly significant role both in the visual space of modern cities and in academic research that reflects its phenomenon. This work seeks to bring a debate about time and generational issues that involve the relations between cultural/urban policies and artistic interventions in the city. It is in Gaston Bachelard’s “Dialectics of Duration” and in its ethnographic appropriation by Eckert&Rocha that I find a theoretical and methodological tool for understanding the memory of street art in Porto Alegre, in the extreme south of Brazil. Finally, I bring a question that accompanies me in this work proposal “Has graffiti died?” through it, I elaborate a reflection on the theme of the crisis and the projects, related to an insurgent generation of urban artists.
Autores principais:Abalos Júnior, José Luís
Assunto:Memória urbana, Legalização, Etnografia de Rua, Graffiti, Geração.
Ano:2020
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:AP2 - Scientific Association and Publisher
Idioma:inglês
Origem:Cadernos de Arte Pública - Public Art Journal
Descrição
Resumo:Marked by its ephemeral and discontinuous character, street art has been playing an increasingly significant role both in the visual space of modern cities and in academic research that reflects its phenomenon. This work seeks to bring a debate about time and generational issues that involve the relations between cultural/urban policies and artistic interventions in the city. It is in Gaston Bachelard’s “Dialectics of Duration” and in its ethnographic appropriation by Eckert&Rocha that I find a theoretical and methodological tool for understanding the memory of street art in Porto Alegre, in the extreme south of Brazil. Finally, I bring a question that accompanies me in this work proposal “Has graffiti died?” through it, I elaborate a reflection on the theme of the crisis and the projects, related to an insurgent generation of urban artists.