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Conversation as events of the body in "The Songs" (2011), by Eduardo Coutinho

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Detalhes bibliográficos
Resumo:The current article presents a few considerations regarding the conversation on the documentaries of Eduardo Coutinho and is a part of the Master’s thesis O Corpo Que Fala: A Conversa no Documentário de Eduardo Coutinho, defended on 2021. We bring up two of the conversations that compose the movie As Canções (2011), emphasizing the centrality of the talking body on the constitution of the scenes. The conversation and the singing are analyzed as events that change the configurations of the force on the scene by triggering singular intensities that form, on the movie’s concreteness, an intense image that extrapolate and opens to the imponderable of the body.
Autores principais:de Oliveira Ramos, Renata
Assunto:Eduardo Coutinho conversa fabulação cantar corpo As Canções (2011) Eduardo Coutinho conversation fabulation singing body The Songs (2011) Eduardo Coutinho conversation fabulation chanter corps Les chansons (2011) Eduardo Coutinho conversación fabulación cantando cuerpo Las canciones (2011)
Ano:2021
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Universidade da Madeira
Idioma:português
Origem:Cinema & Território
Descrição
Resumo:The current article presents a few considerations regarding the conversation on the documentaries of Eduardo Coutinho and is a part of the Master’s thesis O Corpo Que Fala: A Conversa no Documentário de Eduardo Coutinho, defended on 2021. We bring up two of the conversations that compose the movie As Canções (2011), emphasizing the centrality of the talking body on the constitution of the scenes. The conversation and the singing are analyzed as events that change the configurations of the force on the scene by triggering singular intensities that form, on the movie’s concreteness, an intense image that extrapolate and opens to the imponderable of the body.