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Recollecting Wounded Narratives: The Reconstruction of a Backpack

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Resumo:This photo essay examines the process of recollecting wounded narratives. It explores how these narratives are rooted in various concepts of memory and postmemory, which are, in turn, embedded in a familial framework and in the visual arts. The focus here is on a backpack formerly owned by my grandfather, Gyula Flohr, which was the inspiration for my art project Chances in Life – Grandpa’s Backpack. This project illustrates the process of recollecting wounded narratives in practice, addressing the life of my grandfather, primarily by reconstructing through drawings the built environment in which his life was framed, examining discovered family relics, and listening to conversations with Gyula’s two children: my father, János, and my aunt, Marcsi. Chances in Life presents contradictory narratives told by the family and the state, pointing to nuanced social and gender relations, and the diminished chances in life in Eastern Europe in an increasingly closed society.
Autores principais:Flohr, Zsuzsi
Assunto:Third generation Holocaust Postmemory Hungary Visual art Family narratives Absent objects
Ano:2021
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Universidade Católica Portuguesa
Idioma:inglês
Origem:Diffractions
Descrição
Resumo:This photo essay examines the process of recollecting wounded narratives. It explores how these narratives are rooted in various concepts of memory and postmemory, which are, in turn, embedded in a familial framework and in the visual arts. The focus here is on a backpack formerly owned by my grandfather, Gyula Flohr, which was the inspiration for my art project Chances in Life – Grandpa’s Backpack. This project illustrates the process of recollecting wounded narratives in practice, addressing the life of my grandfather, primarily by reconstructing through drawings the built environment in which his life was framed, examining discovered family relics, and listening to conversations with Gyula’s two children: my father, János, and my aunt, Marcsi. Chances in Life presents contradictory narratives told by the family and the state, pointing to nuanced social and gender relations, and the diminished chances in life in Eastern Europe in an increasingly closed society.