Publicação
MIGUEL PERRIN Y LA INFLUENCIA DEL MODELO ESCULTÓRICO FRANCÉS EN LA ESCULTURA EN BARRO COCIDO EN ANDALUCÃA
| Resumo: | Michel/Miguel Perrin, French sculptor specialised in massive terracotta statues, developed most of his professional career in Seville between 1517 and 1552. The present paper brings up to date his historiography, just as it investigates his contribution to spreading early Renaissance models in Seville, at the time a cosmopolitan, avant-garde commercial city and port. It also studies the visual culture, technical determining factors and patterns present in his works, by setting them in the context of contemporary foreign artists who played a significant role in spreading Italian humanistic models. |
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| Autores principais: | Paíl, Teresa Laguna |
| Assunto: | Catedral de Santiago de Compostela terracotta sculpture Renaissance sculpture 16th century transfers sculpture Miguel Perrin Cathedral of Seville Cathedral of León Cathedral of Santiago de Compostela Miguel Perrin Escultura barro cocido terracota Escultura Renacimiento Transferencias escultura siglo XV Catedral de Sevilla Catedral de León Catedral de Santiago de Compostela Miguel Perrin Escultura barro cocido terracota Escultura Renacimiento Transferencias escultura siglo XV Catedral de Sevilla Catedral de León Catedral de Santiago de Compostela |
| Ano: | 2020 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Imprensa da Universidade de Coimbra |
| Idioma: | espanhol |
| Origem: | digitAR - Revista Digital de Arqueologia, Arquitectura e Artes |
| Resumo: | Michel/Miguel Perrin, French sculptor specialised in massive terracotta statues, developed most of his professional career in Seville between 1517 and 1552. The present paper brings up to date his historiography, just as it investigates his contribution to spreading early Renaissance models in Seville, at the time a cosmopolitan, avant-garde commercial city and port. It also studies the visual culture, technical determining factors and patterns present in his works, by setting them in the context of contemporary foreign artists who played a significant role in spreading Italian humanistic models. |
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