Publicação
(Auto)biografia e performance em Stories we tell (2012), de Sarah Polley
| Resumo: | This article investigates the (auto)biographical procedures adopted by SarahPolley in her documentary Stories we tell. For this purpose I focus on the chorus of voices that compose the film, the lack of hierarchy between archive images and the recreated images. Thus, it would be possible to think about an autobiography theory sustained by the filmmaker as well as the performative function of storytelling. |
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| Autores principais: | Auad, Pedro Henrique Trindade Kalil |
| Assunto: | documentary Sarah Polley autobiography. documental Sarah Polley autobiografía. documentaire Sarah Polley autobiographie. documentário Sarah Polley autobiografia. |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Universidade da Beira Interior (UBI, Portugal) e Universidade Estadual de Campinas (UNICAMP, Brasil) |
| Idioma: | português |
| Origem: | Doc On-line-Revista Digital de Cinema Documentário |
| Resumo: | This article investigates the (auto)biographical procedures adopted by SarahPolley in her documentary Stories we tell. For this purpose I focus on the chorus of voices that compose the film, the lack of hierarchy between archive images and the recreated images. Thus, it would be possible to think about an autobiography theory sustained by the filmmaker as well as the performative function of storytelling. |
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