Publicação
Caminhada, o Tempo da Natureza e o Tempo da Arte, Organização e Errância
| Resumo: | This research aims to identify and understand which acquired knowledge and experiences would have been decisive or that, in some way, influenced and motivated, from the beginning, the authorial artistic production focused here. The author, visual artist, and researcher of his own work, was responsible for preparing a memorial that identified important factors and elements that shaped the aesthetic expression of the works or that were related to the choice of themes represented. Art movements, works of artists, literature, science and the lives of writers, poets, scientists, as well as lived experiences, are present in these texts. Walking, identified as the main action and modus operandi of the production of works, becomes an object of study, being mentioned in its historical aspects, practiced by philosophers, writers, and artists as an aesthetic action. The term landscape, which was formed as a concept throughout history, in addition to the representation and presentation of nature through works of art, has become a common term in literature, philosophy and science. The journeys and routes across the landscape made by travelers and artists in search of their themes would also reveal experiences lived in their relationship with the world, which give them an ethnographic and anthropological aspect. The authorial works produced and displayed in this study are made up of records, field books, panels, notes, photographs, captured images and collections of found objects, assembled into a collection of sets displayed in showcases, boxes and tables with aesthetic characteristics like the exhibitions of scientific museums. Art and Science, through exchanges that involved knowledge, techniques, and actions, built a historical relationship, one always used the other due to the need to record, document and illustrate things in the world, this would have favored rapprochement and mutual admiration between artists and scientists. Pictorial representations based on direct observation of nature and scientific descriptions would boost the creation of research methods and a system of classification of beings and elements of nature. Pure art forged in conceptual systems typical of poetics and free conception, by appropriating and even subverting some rules of science, contributes knowledge and knowledge by presenting different views of the meaning and meaning of things. Works of Art and Science are also compared in a reflection on the artist who leads the creation of engaged art of a political, social, ecological nature, etc. that involves declared activism, or those that, when focusing on certain themes, assume the roles of scientists, anthropologists, ethnographers, archaeologists, historians, etc., exploring other areas of knowledge, simulating methods and actions that culminate in the aesthetic presentation of the works in a assembly that resembles devices displayed as a result of scientific exploration and research. |
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| Autores principais: | Magalhães, Eimir Fonseca |
| Assunto: | Walking Visual Arts Science Aesthetics Philosophy Caminhada Artes Visuais Ciências Estética Filosofia |
| Ano: | 2025 |
| País: | Portugal |
| Tipo de documento: | tese de doutoramento |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Coimbra |
| Idioma: | português |
| Origem: | Estudo Geral - Universidade de Coimbra |
| Resumo: | This research aims to identify and understand which acquired knowledge and experiences would have been decisive or that, in some way, influenced and motivated, from the beginning, the authorial artistic production focused here. The author, visual artist, and researcher of his own work, was responsible for preparing a memorial that identified important factors and elements that shaped the aesthetic expression of the works or that were related to the choice of themes represented. Art movements, works of artists, literature, science and the lives of writers, poets, scientists, as well as lived experiences, are present in these texts. Walking, identified as the main action and modus operandi of the production of works, becomes an object of study, being mentioned in its historical aspects, practiced by philosophers, writers, and artists as an aesthetic action. The term landscape, which was formed as a concept throughout history, in addition to the representation and presentation of nature through works of art, has become a common term in literature, philosophy and science. The journeys and routes across the landscape made by travelers and artists in search of their themes would also reveal experiences lived in their relationship with the world, which give them an ethnographic and anthropological aspect. The authorial works produced and displayed in this study are made up of records, field books, panels, notes, photographs, captured images and collections of found objects, assembled into a collection of sets displayed in showcases, boxes and tables with aesthetic characteristics like the exhibitions of scientific museums. Art and Science, through exchanges that involved knowledge, techniques, and actions, built a historical relationship, one always used the other due to the need to record, document and illustrate things in the world, this would have favored rapprochement and mutual admiration between artists and scientists. Pictorial representations based on direct observation of nature and scientific descriptions would boost the creation of research methods and a system of classification of beings and elements of nature. Pure art forged in conceptual systems typical of poetics and free conception, by appropriating and even subverting some rules of science, contributes knowledge and knowledge by presenting different views of the meaning and meaning of things. Works of Art and Science are also compared in a reflection on the artist who leads the creation of engaged art of a political, social, ecological nature, etc. that involves declared activism, or those that, when focusing on certain themes, assume the roles of scientists, anthropologists, ethnographers, archaeologists, historians, etc., exploring other areas of knowledge, simulating methods and actions that culminate in the aesthetic presentation of the works in a assembly that resembles devices displayed as a result of scientific exploration and research. |
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