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The Integrated Short Story Collection: Caught between genre and mode

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Detalhes bibliográficos
Resumo:Scholars, Anglo Saxon in the main, have considered the short story cycle/ sequence as the result of the emergence of the narrative of destabilization (community, region, form and temporality) relegating the hybrid genre to the aesthetics of modernism and to the poetics of identity. The present contribution brings a novel approach and argues for the nineteenth century origin of the cycle/sequence as a result of the clash between genre (conto) and mode (prose realism) in the last quarter of the Portuguese nineteenth century. After a succinct overview of the main theories, phototypias do Minho is studied by way of illustration.In the conclusion suggestions are made for a possible revisionary literary history of nineteenth century Portuguese prose fiction.
Autores principais:Van Achter, Erik
Assunto:Ciclo de contos Colectânea de contos integrados phototypias do Minho Short story cycle Integrated short story collection phototypias do Minho
Ano:2012
País:Portugal
Tipo de documento:artigo
Instituição associada:Departamento de Línguas e Culturas da Universidade de Aveiro
Idioma:inglês
português
Origem:Forma Breve
Descrição
Resumo:Scholars, Anglo Saxon in the main, have considered the short story cycle/ sequence as the result of the emergence of the narrative of destabilization (community, region, form and temporality) relegating the hybrid genre to the aesthetics of modernism and to the poetics of identity. The present contribution brings a novel approach and argues for the nineteenth century origin of the cycle/sequence as a result of the clash between genre (conto) and mode (prose realism) in the last quarter of the Portuguese nineteenth century. After a succinct overview of the main theories, phototypias do Minho is studied by way of illustration.In the conclusion suggestions are made for a possible revisionary literary history of nineteenth century Portuguese prose fiction.