Publicação
Virtual museums and art projects, between the analogue and the digital: Catalogue Raisonné Graça Morais
| Resumo: | This paper addresses the conceptual similarities between the ongoing digital project of the Catalogue Raisonné Graça Morais, developed in the Laboratory of Arts in the Mountain – Graça Morais and the concept of the “virtual museum”. Both the digital catalogue raisonné and the virtual museum are bringing together agents who organise and disseminate information, eliciting meaningful narratives. We note that digital projects can draw on their tools and characteristics, assembling diverse types of documentation in the same platform, regardless of their original nature, and encouraging innovative and non-linear narratives about the exhibited objects. Ultimately, these projects contribute to the creation of a new heritage – “digital heritage”. In addition to these issues, this paper also seeks to contribute to the debate about the challenges of gathering analogue and digital ways of thinking and acting, and about the epistemological questions that emerge when the Social Sciences and Humanities are combined with the digital and virtual sphere. |
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| Autores principais: | Baião, Joana |
| Outros Autores: | Carvalho, Sofia |
| Assunto: | Arte Research Subject Categories::TECHNOLOGY::Information technology Museus |
| Ano: | 2021 |
| País: | Portugal |
| Tipo de documento: | comunicação em conferência |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Instituto Politécnico de Bragança |
| Idioma: | inglês |
| Origem: | Biblioteca Digital do IPB |
| Resumo: | This paper addresses the conceptual similarities between the ongoing digital project of the Catalogue Raisonné Graça Morais, developed in the Laboratory of Arts in the Mountain – Graça Morais and the concept of the “virtual museum”. Both the digital catalogue raisonné and the virtual museum are bringing together agents who organise and disseminate information, eliciting meaningful narratives. We note that digital projects can draw on their tools and characteristics, assembling diverse types of documentation in the same platform, regardless of their original nature, and encouraging innovative and non-linear narratives about the exhibited objects. Ultimately, these projects contribute to the creation of a new heritage – “digital heritage”. In addition to these issues, this paper also seeks to contribute to the debate about the challenges of gathering analogue and digital ways of thinking and acting, and about the epistemological questions that emerge when the Social Sciences and Humanities are combined with the digital and virtual sphere. |
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