Publicação
A Imersão do Artista-Investigador e a Estética da Afetividade
| Resumo: | This article empowers a reflection about a possible “place” of the image, by approaching the affective relations which are established along with the photographic object. We seek a reflection about the aesthetic experience of self-representation of indigenous groups in Brazil, about a specific type of photographic process: the Photopainting. In this study, we take the perspective of the artist, researcher and educator in creating an “artist’s book”, resulting from lived and applied experience, which starts from an approach to photography as an important philosophical and poetic instrument which mediates the relationship between affections and the construction of knowledge, revealing the strength of the aesthetics of affection. |
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| Autores principais: | Ferreira, Ângela |
| Assunto: | self-portrait photography painted portrait indigenous culture autorretrato fotografia retrato pintado cultura indígena |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Instituto Politécnico do Porto |
| Idioma: | português |
| Origem: | Cadernos IRI |
| Resumo: | This article empowers a reflection about a possible “place” of the image, by approaching the affective relations which are established along with the photographic object. We seek a reflection about the aesthetic experience of self-representation of indigenous groups in Brazil, about a specific type of photographic process: the Photopainting. In this study, we take the perspective of the artist, researcher and educator in creating an “artist’s book”, resulting from lived and applied experience, which starts from an approach to photography as an important philosophical and poetic instrument which mediates the relationship between affections and the construction of knowledge, revealing the strength of the aesthetics of affection. |
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