Publicação
Screen and Paper: Digital and Analogue Materiality in Plagio del Afecto by Carlos Cociña
| Resumo: | Plagio del afecto (2003-2005/2010), by the chilean poet Carlos Cociña (1950“), was created with appropriated texts from different sources. The book was published in digital format in the website of the author between 2003 and 2005 and, five years later, in printed format by Ediciones Tácitas. In this essay, I will thoroughly analyze the links and tensions between the materiality of the screen version and the paper version. I propose that their differences account for a thorough formal experimentation and reflection, so it isn’t just a simple transfer of supports. As it will be seen, the importance of the material dimension constitutes a fundamental aspect of the poetics of the book. DOI: https://doi.org/10.14195/2182-8830_7-1_7 |
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| Autores principais: | Andrade Kobayashi, Megumi |
| Assunto: | Carlos Cociña Plagio del afecto experimental poetry digital poetry appropriation Chilean literature 21st century Carlos Cociña Plagio del afecto poesia experimental poesia digital apropriação Carlos Cociña poesía experimental poesía digital apropiación Plagio del afecto literatura chileña século XXI |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | unknown |
| Instituição associada: | Imprensa da Universidade de Coimbra |
| Idioma: | espanhol |
| Origem: | MATLIT: Materialities of Literature |
| Resumo: | Plagio del afecto (2003-2005/2010), by the chilean poet Carlos Cociña (1950“), was created with appropriated texts from different sources. The book was published in digital format in the website of the author between 2003 and 2005 and, five years later, in printed format by Ediciones Tácitas. In this essay, I will thoroughly analyze the links and tensions between the materiality of the screen version and the paper version. I propose that their differences account for a thorough formal experimentation and reflection, so it isn’t just a simple transfer of supports. As it will be seen, the importance of the material dimension constitutes a fundamental aspect of the poetics of the book. DOI: https://doi.org/10.14195/2182-8830_7-1_7 |
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