Publicação
Elogio da Desordem – do monólogo interior instrumental à “Música do pensamento”. Contextualização no Teatro instrumental
| Resumo: | The aim of this article is to present a first formulation of a concept, which I start calling “Interior instrumental monologue” and end up designating “Music of Thought” (Steiner 2012). It is a concept, which I apply to a trilogy of solos, which I composed and performed and which can be framed within the context of Instrumental Theatre because of its various extra-musical resources. For the elaboration of this concept I also used the ideas of Artaud (‘theatre of cruelty’) and George Steiner (Poetry of Thought – From Helenism to Celan). |
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| Autores principais: | Sá, Joana |
| Assunto: | Música do pensamento teatro instrumental piano com técnicas “expandidas” monólogo interior instrumental Joana Sá Music of thought instrumental theatre piano with extended techniques instrumental interior monologue Joana Sá |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Instituição associada: | Universidade de Aveiro |
| Idioma: | português |
| Origem: | Post-ip: Revista do Fórum Internacional de Estudos em Música e Dança |
| Resumo: | The aim of this article is to present a first formulation of a concept, which I start calling “Interior instrumental monologue” and end up designating “Music of Thought” (Steiner 2012). It is a concept, which I apply to a trilogy of solos, which I composed and performed and which can be framed within the context of Instrumental Theatre because of its various extra-musical resources. For the elaboration of this concept I also used the ideas of Artaud (‘theatre of cruelty’) and George Steiner (Poetry of Thought – From Helenism to Celan). |
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