Publicação
Quando a violência toca: a paisagem sonora na recepção da obra de arte
| Resumo: | Can the ambient sound of an exhibition space influence the understanding of a work of art? According to Schafer (1977) with the concept of soundscape and supported by Cage (1961) in his concept of active listening, we will engage in an interlocution with the exhibition "Projéteis" (2009) by Marcelo Gandini. Sound becomes an active part of the work, creating an immersive environment that goes beyond visuality, promoting a deeper interaction with the space and intensifying the aesthetic and emotional experience of the work. |
|---|---|
| Autores principais: | Guerra, Paula |
| Outros Autores: | Oliveira, Jaqueline Torquatro de; Dala, Jovani; Kumm, Rosely |
| Ano: | 2024 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade do Porto |
| Idioma: | português |
| Origem: | Repositório Aberto da Universidade do Porto |
| Resumo: | Can the ambient sound of an exhibition space influence the understanding of a work of art? According to Schafer (1977) with the concept of soundscape and supported by Cage (1961) in his concept of active listening, we will engage in an interlocution with the exhibition "Projéteis" (2009) by Marcelo Gandini. Sound becomes an active part of the work, creating an immersive environment that goes beyond visuality, promoting a deeper interaction with the space and intensifying the aesthetic and emotional experience of the work. |
|---|