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Iberian Eugénio de Castro: ideologization of his spanish reception

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Resumo:Eugénio de Castro, the most widely read, translated, commented and celebrated Portuguese poet in Spain in the first half of the 20th century, underwent a process of progressive ideological appropriation during the modernista period. This text proposes an analysis of the ideological factors that underlie the Spanish reception of the author, in the context of the critical situation of modern Spain, currently dealing with its semi-peripheral and post-imperial condition. That condition permeates the Spanish reception of Castro’s works and public figure. As we shall see, this reception is thus marked by a subtle Iberian rhetoric. In the end lies a Castilian primacy, progressively institutionalized and politicized. Therefore, Eugénio de Castro’s Spanish reception acts as a symbolic corrective instrument of the Spanish critical condition.
Autores principais:Mochila, Miguel Filipe
Assunto:Eugénio de Castro Iberian Studies Transatlantic Studies Iberianisms Modernism Eugénio de Castro Estudos Ibéricos Estudos Transatlnticos Iberismos Modernismo
Ano:2021
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Imprensa da Universidade de Coimbra
Idioma:português
Origem:Revista de Estudos Literários
Descrição
Resumo:Eugénio de Castro, the most widely read, translated, commented and celebrated Portuguese poet in Spain in the first half of the 20th century, underwent a process of progressive ideological appropriation during the modernista period. This text proposes an analysis of the ideological factors that underlie the Spanish reception of the author, in the context of the critical situation of modern Spain, currently dealing with its semi-peripheral and post-imperial condition. That condition permeates the Spanish reception of Castro’s works and public figure. As we shall see, this reception is thus marked by a subtle Iberian rhetoric. In the end lies a Castilian primacy, progressively institutionalized and politicized. Therefore, Eugénio de Castro’s Spanish reception acts as a symbolic corrective instrument of the Spanish critical condition.