Publicação
O sonoro, agente de metamorfose da narrativa fílmica
| Resumo: | The way we see and conceive films contents can be hardly transformed by sound effects, music and musical discourses. Music gives us different readings of emotional characteristics of images and film discourses, providing dissimilar emotional rapports of narrative contents. Composers and sound designers can transform the way we perceived the narrative and their emotional contents using different musical sounds and narratives. This proposal attempts to list some recurrent stylistic features in sound and music narrative of Portuguese cinema, namely short film, examining and discussing some reasons why these narrative tools have become popular among filmmakers, composers and sound designers. We start from a given definition of several musical resources and then, we analyze the recurrence of certain narrative techniques in each component of film sound - voice, music and sound effects - in movies that fit in that definition. |
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| Autores principais: | Santana, Helena Maria da Silva |
| Outros Autores: | Santana, Maria do Rosário da Silva |
| Assunto: | Portuguese contemporary film Sound studies Sound design Film music |
| Ano: | 2012 |
| País: | Portugal |
| Tipo de documento: | capítulo de livro |
| Tipo de acesso: | acesso restrito |
| Instituição associada: | Universidade de Aveiro |
| Idioma: | português |
| Origem: | RIA - Repositório Institucional da Universidade de Aveiro |
| Resumo: | The way we see and conceive films contents can be hardly transformed by sound effects, music and musical discourses. Music gives us different readings of emotional characteristics of images and film discourses, providing dissimilar emotional rapports of narrative contents. Composers and sound designers can transform the way we perceived the narrative and their emotional contents using different musical sounds and narratives. This proposal attempts to list some recurrent stylistic features in sound and music narrative of Portuguese cinema, namely short film, examining and discussing some reasons why these narrative tools have become popular among filmmakers, composers and sound designers. We start from a given definition of several musical resources and then, we analyze the recurrence of certain narrative techniques in each component of film sound - voice, music and sound effects - in movies that fit in that definition. |
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