Publicação
The Portuguese musical heritage: A methodology for enhanced knowledge, preservation, and access
| Resumo: | The musical heritage preserved by Portuguese Memory Institutions stands as a tangible testimony to the rich landscape of musical creation and practices in our cultural history. Preserving and scholarly examining this legacy are imperative for building a robust cultural identity. Regrettably, in Portugal, a substantial portion of this heritage remains undiscovered or overlooked by the institutions responsible. It is often not made accessible and, in numerous instances, lacks proper cataloguing. Consequently, its existence remains unknown, even to specialized audiences such as performers and musicologists. Locating and describing this historical musical heritage is an essential first step toward the knowledge of surviving musical sources. |
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| Autores principais: | Albuquerque, Maria João |
| Outros Autores: | Albuquerque, Maria Teresa; Teixeira da Costa, Mónica Isabel; Gonçalves, Joana |
| Assunto: | Music Musical heritage Portugal |
| Ano: | 2024 |
| País: | Portugal |
| Tipo de documento: | comunicação em conferência |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Instituto Politécnico de Castelo Branco |
| Idioma: | inglês |
| Origem: | Repositório Científico do Instituto Politécnico de Castelo Branco |
| Resumo: | The musical heritage preserved by Portuguese Memory Institutions stands as a tangible testimony to the rich landscape of musical creation and practices in our cultural history. Preserving and scholarly examining this legacy are imperative for building a robust cultural identity. Regrettably, in Portugal, a substantial portion of this heritage remains undiscovered or overlooked by the institutions responsible. It is often not made accessible and, in numerous instances, lacks proper cataloguing. Consequently, its existence remains unknown, even to specialized audiences such as performers and musicologists. Locating and describing this historical musical heritage is an essential first step toward the knowledge of surviving musical sources. |
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