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Two texts on dance

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Resumo:The subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept.
Autores principais:Moura, Vítor
Assunto:Pina Bausch Metaphor Emotions Representation
Ano:2006
País:Portugal
Tipo de documento:comunicação em conferência
Tipo de acesso:acesso aberto
Instituição associada:Universidade do Minho
Idioma:português
Origem:RepositóriUM - Universidade do Minho
Descrição
Resumo:The subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept.