Publicação
Two texts on dance
| Resumo: | The subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept. |
|---|---|
| Autores principais: | Moura, Vítor |
| Assunto: | Pina Bausch Metaphor Emotions Representation |
| Ano: | 2006 |
| País: | Portugal |
| Tipo de documento: | comunicação em conferência |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade do Minho |
| Idioma: | português |
| Origem: | RepositóriUM - Universidade do Minho |
| _version_ | 1866877272810586112 |
|---|---|
| author | Moura, Vítor |
| author_facet | Moura, Vítor |
| author_role | author |
| contributor_name_str_mv | Universidade do Minho |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Moura, Vítor\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Universidade do Minho |
| datacite.creators.creator.creatorName.fl_str_mv | Moura, Vítor |
| datacite.date.Accepted.fl_str_mv | 2006-01-01T00:00:00Z |
| datacite.date.available.fl_str_mv | 2009-04-23T13:32:57Z |
| datacite.date.embargoed.fl_str_mv | 2009-04-23T13:32:57Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Pina Bausch Metaphor Emotions Representation |
| datacite.titles.title.fl_str_mv | Two texts on dance |
| dc.contributor.none.fl_str_mv | Universidade do Minho |
| dc.creator.none.fl_str_mv | Moura, Vítor |
| dc.date.Accepted.fl_str_mv | 2006-01-01T00:00:00Z |
| dc.date.available.fl_str_mv | 2009-04-23T13:32:57Z |
| dc.date.embargoed.fl_str_mv | 2009-04-23T13:32:57Z |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | https://hdl.handle.net/1822/8972 |
| dc.language.none.fl_str_mv | por |
| dc.publisher.none.fl_str_mv | Universidade do Minho. Centro de Estudos Humanísticos (CEHUM) |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Pina Bausch Metaphor Emotions Representation |
| dc.title.fl_str_mv | Two texts on dance |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_5794 |
| description | The subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | conferencePaper |
| fulltext.url.fl_str_mv | https://prod-dspace.uminho.pt/bitstreams/4155623a-4e5f-44fe-bf42-fc8ccac5be83/download |
| id | rum_5a54abcafd5ded3fda271cbefbb7752c |
| identifier.url.fl_str_mv | https://hdl.handle.net/1822/8972 |
| instacron_str | repositorium |
| institution | Universidade do Minho |
| instname_str | Universidade do Minho |
| language | por |
| network_acronym_str | rum |
| network_name_str | RepositóriUM - Universidade do Minho |
| oai_identifier_str | oai:repositorium.uminho.pt:1822/8972 |
| organization_str_mv | urn:organizationAcronym:repositorium |
| person_str_mv | Moura, Vítor |
| publishDate | 2006 |
| publisher.none.fl_str_mv | Universidade do Minho. Centro de Estudos Humanísticos (CEHUM) |
| reponame_str | RepositóriUM - Universidade do Minho |
| repository_id_str | urn:repositoryAcronym:rum |
| service_str_mv | urn:repositoryAcronym:rum |
| spelling | porUniversidade do Minho. Centro de Estudos Humanísticos (CEHUM)enThe subject of representation in the arts is as old as art itself. Is the acknowledgement of what an artistic object is supposed to represent – if anything – an intrinsic part of aesthetic experience? The suitability of either a negative or a positive answer to this tricky question differs widely across the arts and makes it very difficult to achieve a satisfactory all-inclusive reply. A way to deal with the problem has been to adapt the very notion of “representation” in order to make it adjustable to all arts in a kind of “variable geometry” of the concept.application/pdfenTwo texts on danceMoura, VítorHostingInstitutionOrganizationalUniversidade do Minhoe-mailmailto:repositorium@usdb.uminho.ptrepositorium@usdb.uminho.pt2009-04-23T13:32:57Z20062006-01-01T00:00:00ZHandlehttps://hdl.handle.net/1822/8972http://purl.org/coar/access_right/c_abf2open accessPina BauschMetaphorEmotionsRepresentation102450 bytesother research producthttp://purl.org/coar/resource_type/c_5794conference paperhttp://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://prod-dspace.uminho.pt/bitstreams/4155623a-4e5f-44fe-bf42-fc8ccac5be83/download |
| spellingShingle | Two texts on dance Moura, Vítor Pina Bausch Metaphor Emotions Representation |
| status | SINGLETON |
| subject.fl_str_mv | Pina Bausch Metaphor Emotions Representation |
| title | Two texts on dance |
| title_full | Two texts on dance |
| title_fullStr | Two texts on dance |
| title_full_unstemmed | Two texts on dance |
| title_short | Two texts on dance |
| title_sort | Two texts on dance |
| topic | Pina Bausch Metaphor Emotions Representation |
| topic_facet | Pina Bausch Metaphor Emotions Representation |
| url | https://hdl.handle.net/1822/8972 |
| visible | 1 |