Publicação
Rafael Bordalo Pinheiro, un «Peintre de la modernité» au Portugal?
| Resumo: | In this paper, we propose an interpretation of the work of the Portuguese 19th-century artist, Rafael Bordalo Pinheiro, using the essay by Charles Baudelaire, "Le peintre de la vie moderne". This reading follows a threefold purpose: to determine a set of correspondences between what the French author advocates and what Bordalo's works reveal; to reflect on their relationship to Modernity; to contribute to the ongoing discussion concerning the privileged place reserved to caricature in the modern ethos. This path leads us to introduce the idea that we believe to be innovative of a kind of laughter of reassurance, alongside the already conventional laughter of exclusion and laughter of hospitality |
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| Autores principais: | Bernardo, Luís Manuel A. V. |
| Assunto: | Portuguese Studies Modernity Philosophy of Culure Charles Baudelaire Humour |
| Ano: | 2020 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade Nova de Lisboa |
| Idioma: | francês |
| Origem: | Repositório Institucional da UNL |
| Resumo: | In this paper, we propose an interpretation of the work of the Portuguese 19th-century artist, Rafael Bordalo Pinheiro, using the essay by Charles Baudelaire, "Le peintre de la vie moderne". This reading follows a threefold purpose: to determine a set of correspondences between what the French author advocates and what Bordalo's works reveal; to reflect on their relationship to Modernity; to contribute to the ongoing discussion concerning the privileged place reserved to caricature in the modern ethos. This path leads us to introduce the idea that we believe to be innovative of a kind of laughter of reassurance, alongside the already conventional laughter of exclusion and laughter of hospitality |
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