Publicação

Colecionismo e contextos coloniais no Museu Nacional de Arqueologia e Museu Municipal Santos Rocha, 1893-1930

Ver documento

Detalhes bibliográficos
Resumo:Over two thousand transnational objects (most with colonial origins) are currently in the Museu Nacional de Arqueologia in Lisbon and the Museu Municipal Santos Rocha in Figueira da Foz. Their histories are linked to nationalism, colonialism and the development of prehistoric archaeology in the late nineteenth and early twentieth centuries. This article cross-references multiple sources and periodicals to trace the journeys of these collections (primarily involving military campaigns in Africa) and the power networks that brought these objects to Portugal. The Eurocentric narratives, descriptions and categorizations that have endured since that time show how provenance research is essential to document and confront the colonial legacies of museums.
Autores principais:Pereira, Elisabete
Outros Autores:Figueira, Maria; Ferreira, Ana Margarida; Caldeira, Liliana; Laevski, Francisca; Lopes, Quintino
Assunto:Colonial history History of collections Museu Municipal Santos Rocha Museu Nacional de Arqueologia Provenance research General Medicine History and Philosophy of Science
Ano:2025
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Universidade Nova de Lisboa
Idioma:português
Origem:Repositório Institucional da UNL
Descrição
Resumo:Over two thousand transnational objects (most with colonial origins) are currently in the Museu Nacional de Arqueologia in Lisbon and the Museu Municipal Santos Rocha in Figueira da Foz. Their histories are linked to nationalism, colonialism and the development of prehistoric archaeology in the late nineteenth and early twentieth centuries. This article cross-references multiple sources and periodicals to trace the journeys of these collections (primarily involving military campaigns in Africa) and the power networks that brought these objects to Portugal. The Eurocentric narratives, descriptions and categorizations that have endured since that time show how provenance research is essential to document and confront the colonial legacies of museums.