Publicação
When art meets crisis: the Portuguese story and beyond
| Resumo: | The article focuses on how the Portuguese arts have dealt with the Portuguese crisis, in the years 2011-2014, when the country was subjected to a financial bailout. The approach is based on a cross-section analysis, considering the domains of literature, fine arts, visual arts and cinema, music and performing arts. It emphasizes three distinct and complementary ways through which the relation between arts and society was developed in these years. The first way is the directly political positioning of artists, through artistic works and performances. The second way is the presence of the crisis as a background of several artistic creations of this time. And the third way is the one by which the crisis projects a new light into consistent topics of the Portuguese artistic imagination, stressing the centrality of collective identity and self-reflexivity. The Portuguese case suggests how promising can be for the sociological explanation of social processes the consideration of their cultural and artistic dimensions. |
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| Autores principais: | Silva,Augusto Santos |
| Outros Autores: | Guerra,Paula; Santos,Helena |
| Assunto: | Portugal fiscal crisis arts cinema popular music literature |
| Ano: | 2018 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Fundação para a Ciência e Tecnologia |
| Idioma: | inglês |
| Origem: | SciELO Portugal |
| Resumo: | The article focuses on how the Portuguese arts have dealt with the Portuguese crisis, in the years 2011-2014, when the country was subjected to a financial bailout. The approach is based on a cross-section analysis, considering the domains of literature, fine arts, visual arts and cinema, music and performing arts. It emphasizes three distinct and complementary ways through which the relation between arts and society was developed in these years. The first way is the directly political positioning of artists, through artistic works and performances. The second way is the presence of the crisis as a background of several artistic creations of this time. And the third way is the one by which the crisis projects a new light into consistent topics of the Portuguese artistic imagination, stressing the centrality of collective identity and self-reflexivity. The Portuguese case suggests how promising can be for the sociological explanation of social processes the consideration of their cultural and artistic dimensions. |
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