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IMAGAGE AND WORD: TRACING THE EDGES OF CREATION

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Detalhes bibliográficos
Resumo:The understanding of artistic work as a process, thought and performance of the body is presented in this article through the discussion about intersubjectivity in exchange practices and exercises of presence, as enablers of the act of creating images. The text unites terms from Édouard Glissant (relation), Augustin Berque (landscape thought), William James (experience), Janet Bennett (actant), among others, philosophers and performance scholars exemplify an approach between subjects and objects from an understanding of creation as an action of the body inserted in a time and place that is decisive in the elaboration of statements. Poems from the book Deságua and videographic images make up this proposal for understanding creation asa hybrid act rooted in experience and living as a relation condition.
Autores principais:Toledo Silva, Monica
Assunto:corpo imagem literatura rastro linguagem body image literature trace language
Ano:2025
País:Portugal
Tipo de documento:artigo
Tipo de acesso:unknown
Instituição associada:Universidade do Porto
Idioma:português
Origem:Todas as Artes
Descrição
Resumo:The understanding of artistic work as a process, thought and performance of the body is presented in this article through the discussion about intersubjectivity in exchange practices and exercises of presence, as enablers of the act of creating images. The text unites terms from Édouard Glissant (relation), Augustin Berque (landscape thought), William James (experience), Janet Bennett (actant), among others, philosophers and performance scholars exemplify an approach between subjects and objects from an understanding of creation as an action of the body inserted in a time and place that is decisive in the elaboration of statements. Poems from the book Deságua and videographic images make up this proposal for understanding creation asa hybrid act rooted in experience and living as a relation condition.