Publicação
Expanding Borges : a intertextualidade digital na narrativa de Jorge Luis Borges
| Resumo: | The purpose of this research is to address the potential of intertextuality in the literary work of Jorge Luis Borges. The study aims to explore the linguistic, semantic and communicational possibilities of the borgean text, through the development and implementation of a digital hypertextual platform — Expanding Borges —. In the expectation that the reader will acquire an interactive experience different from the conventional reading of the book, it is proposed to return a new way of perceiving the texts of the Argentine writer, proposing another textuality and narrative, implementing for that an algorithmic process. With this intention, it is sought to conform the conceptual body from which, to direct and to concretize the practical component. The aim is to identify and understand the terms and concepts associated to both the written and cosmovision work of the Argentine author and those inherent to the development and theoretical concerns specific to the discipline, thus forming a conceptual framework that supports the creation project. Subsequently, and in order to understand the procedures, proper to the processes of creation and computational implementation based on textual information, a set of works that can inform about the relationships between the constituent dimensions of each work are analyzed. Finally, the project Expanding Borges is developed: digital intertextuality in the narrative of Jorge Luis Borges. Based on the stories “El jardín de los senderos que se bifurcan” (1941), “La biblioteca de Babel” (1941) and “El libro de arena” (1975), a digital platform is projected to expand prose concentrated of the Argentine writer. The experience is set in the interconnection of textual fragments of the original work of the author, as well as of authors who gravitate and are revealed from the borgean texts. “Ni el libro ni la arena tienen ni princípio ni fin” (Borges, 2016: 12), the idea referred to in the short story “El libro de arena”, stands as a conceptual mote of the project, chaos and labyrinth give logic and materiality to the hypertextual experience |
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| Autores principais: | Ariel Gómez, Lucas |
| Assunto: | Design de comunicação Intertextualidade Algoritmos Fragmentação textual Hipertextualidade orges, Jorge Luis, 1899-1986 |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | The purpose of this research is to address the potential of intertextuality in the literary work of Jorge Luis Borges. The study aims to explore the linguistic, semantic and communicational possibilities of the borgean text, through the development and implementation of a digital hypertextual platform — Expanding Borges —. In the expectation that the reader will acquire an interactive experience different from the conventional reading of the book, it is proposed to return a new way of perceiving the texts of the Argentine writer, proposing another textuality and narrative, implementing for that an algorithmic process. With this intention, it is sought to conform the conceptual body from which, to direct and to concretize the practical component. The aim is to identify and understand the terms and concepts associated to both the written and cosmovision work of the Argentine author and those inherent to the development and theoretical concerns specific to the discipline, thus forming a conceptual framework that supports the creation project. Subsequently, and in order to understand the procedures, proper to the processes of creation and computational implementation based on textual information, a set of works that can inform about the relationships between the constituent dimensions of each work are analyzed. Finally, the project Expanding Borges is developed: digital intertextuality in the narrative of Jorge Luis Borges. Based on the stories “El jardín de los senderos que se bifurcan” (1941), “La biblioteca de Babel” (1941) and “El libro de arena” (1975), a digital platform is projected to expand prose concentrated of the Argentine writer. The experience is set in the interconnection of textual fragments of the original work of the author, as well as of authors who gravitate and are revealed from the borgean texts. “Ni el libro ni la arena tienen ni princípio ni fin” (Borges, 2016: 12), the idea referred to in the short story “El libro de arena”, stands as a conceptual mote of the project, chaos and labyrinth give logic and materiality to the hypertextual experience |
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