Publicação
A arte rupestre da Gruta do Escoural no contexto europeu e a sua musealização
| Resumo: | The pillars that support the theoretical analysis of research is a cognitive approach of rock art in the cave located at Escoural, Montemor-o-Novo, Portugal. For the context of rock art in this cave is used the method of analogy with some of the main European Paleolithic rock art sites based on similarities in the treatment and themes of paintings and engravings. The figures inside the cave undertaken the Upper Paleolithic, with relative dating between 25,000 BC and 12,000 BC, we can find stylistic parallels with some french, spanish and italian archaeological sites. Morphologically, the cave consists of thirty galleries and several halls and corridors, arranged on multiple levels. The representation of the engravings and paintings are divided into two main groups, one consisting of zoomorphic motifs, which is especially horses and oxen, and other with geometric abstract signs. We know that all Paleolithic art uses a relatively narrow color range, we note here that artists used to do horses and oxen mainly with black pigment, while in the compositions of signs and lines the red was used. A draw off, firm and secure limits are around the engravings. The musealization of rock art sites in Europe will be the focus of analysis here. How preserves, promotes and integrates itself in today's society, the first expression of symbolic representations undertaken by Homo sapiens. For a more coherent systematization in the matters described herein had been introduced some relevant research lines that can be include in the Archaeology of Landscape |
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| Autores principais: | Lopes, Cristina Maria Grilo, 1969- |
| Assunto: | Museu de Mação Museu de Altamira (Cantábria, Espanha) Arte rupestre Gruta do Escoural (Montemor-o-Novo, Portugal) Gruta de La Pileta (Málaga, Espanha) Região de Valcamonica (Brescia, Itália) Vale do Rio Côa (Portugal) Gruta de Niaux Sitios arqueológicos Musealização |
| Ano: | 2013 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | The pillars that support the theoretical analysis of research is a cognitive approach of rock art in the cave located at Escoural, Montemor-o-Novo, Portugal. For the context of rock art in this cave is used the method of analogy with some of the main European Paleolithic rock art sites based on similarities in the treatment and themes of paintings and engravings. The figures inside the cave undertaken the Upper Paleolithic, with relative dating between 25,000 BC and 12,000 BC, we can find stylistic parallels with some french, spanish and italian archaeological sites. Morphologically, the cave consists of thirty galleries and several halls and corridors, arranged on multiple levels. The representation of the engravings and paintings are divided into two main groups, one consisting of zoomorphic motifs, which is especially horses and oxen, and other with geometric abstract signs. We know that all Paleolithic art uses a relatively narrow color range, we note here that artists used to do horses and oxen mainly with black pigment, while in the compositions of signs and lines the red was used. A draw off, firm and secure limits are around the engravings. The musealization of rock art sites in Europe will be the focus of analysis here. How preserves, promotes and integrates itself in today's society, the first expression of symbolic representations undertaken by Homo sapiens. For a more coherent systematization in the matters described herein had been introduced some relevant research lines that can be include in the Archaeology of Landscape |
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