Publicação
CAP - Cadernos de Arte Pública, vol.4, nº2 (2022)
| Resumo: | These articles seek to discuss and explore the ways in which Sculpture is ontologically constituted in the present, the different historical legacies and the construction of the sculptural imaginary. We invited the scientific and artistic community for a critical and transdisciplinary analysis of the repercussions that the multiple constitutions of what Sculpture is have, not only in the arts, but also outside the artistic sphere |
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| Autores principais: | Neves, Pedro Soares |
| Outros Autores: | Larín, Letícia; Sousa, Tania; Miranda, Susana; Inácio, Sara; Barrios, Noemi; LUCAS, MARTA GALVÃO |
| Assunto: | Arte Pública Investigação Periódicos Arte urbana Escultura Estudos Artísticos |
| Ano: | 2022 |
| País: | Portugal |
| Tipo de documento: | outro |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | These articles seek to discuss and explore the ways in which Sculpture is ontologically constituted in the present, the different historical legacies and the construction of the sculptural imaginary. We invited the scientific and artistic community for a critical and transdisciplinary analysis of the repercussions that the multiple constitutions of what Sculpture is have, not only in the arts, but also outside the artistic sphere |
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