Publicação
Screening postcolonial Intellectuals: cinematic engagements and postcolonial activism
| Resumo: | This special issue proposes new ways of seeing and thinking about postcolonial intellectuals through the frame of transnational screens. For this purpose, the issue develops around the twofold notion of the intellectual as a filmmaker and the intellectual as an object of filmmaking. In particular, it focuses on the ways in which this interrelationship expands notions of postcolonial theory and practice regarding the aesthetic and political intervention of intellectuals in transnational screen culture. Many postcolonial figures have been influential not only in rethinking the ways in which representation should be conceived and theorized but also in inspiring new forms of visuality and aesthetics through their life and work. These figures include Frantz Fanon, Assia Djebar, and Stuart Hall, and others explored in this issue, such as Toni Morrison, Raoul Peck, Ai Weiwei, and Steve McQueen. The special issue also includes exclusive interviews with Ai Weiwei and Trinh T. Minh-ha, artists, intellectuals, activists, and filmmakers whose engagement with postcolonial debates, and more broadly with the politics and aesthetics of filmmaking, have contributed to a reshaping of contemporary postcolonial realities and discourses, in scholarship and the public sphere. |
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| Autores principais: | Ponzanesi, Sandra |
| Outros Autores: | Mendes, Ana Cristina |
| Assunto: | Intellectuals Cinema Transnationalism Postcolonial theory Diaspora Visuality Activism Streaming |
| Ano: | 2022 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | This special issue proposes new ways of seeing and thinking about postcolonial intellectuals through the frame of transnational screens. For this purpose, the issue develops around the twofold notion of the intellectual as a filmmaker and the intellectual as an object of filmmaking. In particular, it focuses on the ways in which this interrelationship expands notions of postcolonial theory and practice regarding the aesthetic and political intervention of intellectuals in transnational screen culture. Many postcolonial figures have been influential not only in rethinking the ways in which representation should be conceived and theorized but also in inspiring new forms of visuality and aesthetics through their life and work. These figures include Frantz Fanon, Assia Djebar, and Stuart Hall, and others explored in this issue, such as Toni Morrison, Raoul Peck, Ai Weiwei, and Steve McQueen. The special issue also includes exclusive interviews with Ai Weiwei and Trinh T. Minh-ha, artists, intellectuals, activists, and filmmakers whose engagement with postcolonial debates, and more broadly with the politics and aesthetics of filmmaking, have contributed to a reshaping of contemporary postcolonial realities and discourses, in scholarship and the public sphere. |
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