Publicação
Uma pergunta que não sei responder : pensar a pintura à luz do Teorema de Pasolini
| Resumo: | Pasolini reveals a certain secret visibility, taking our eye to the constant restlessness and doubt, to a “ taken at the distance” which Merleau-Ponty refers. All upon a love gesture, from a body that poses another into action, closer to how the creators gesture allows to show that nature is inside ad that the painting revels as a testimony of an endless question, taken from piece to piece. The lovers encounter between the characters is identical to the encounter between the paintor and the canvas. As if it has been stood all along a question to which it cannot answer, - or as if each piece was a precarious answer |
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| Autores principais: | Reis, Maria Daniela Pinto Alves da Silva, 1980- |
| Assunto: | Pasolini, Pier Paolo, 1922-1975 Artaud, Antonin, 1896-1948 Pintura Cinematografia Corpo Erotismo Melancolia |
| Ano: | 2016 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | Pasolini reveals a certain secret visibility, taking our eye to the constant restlessness and doubt, to a “ taken at the distance” which Merleau-Ponty refers. All upon a love gesture, from a body that poses another into action, closer to how the creators gesture allows to show that nature is inside ad that the painting revels as a testimony of an endless question, taken from piece to piece. The lovers encounter between the characters is identical to the encounter between the paintor and the canvas. As if it has been stood all along a question to which it cannot answer, - or as if each piece was a precarious answer |
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