Publicação
Mecanismo da criação: o invisível no visível
| Resumo: | This project aims to highlight the importance of the extrasensory approach applied to artistic practices, especially drawing, for a better and accessible understanding of the most diverse forms of artistic creation, in different phases, innovations in the growth of human beings. It is based on three pillars: spirituality, science and art. To this end, scientific experiments based on the calculation of probabilities applied to the scientific method, especially in physics and chemistry, are used as an example to support this work. Science over time has shown and demonstrated the existence of so-called extrasensory perception, through the most varied tests carried out in careful and controlled environments. In turn, these spiritual practices carried out by some more ancient cultures as a form of manifestation of the inner Self, merge with science that give greater relevance, with art as a guiding thread and manifestations of all this transdisciplinarity. The 19th century stands out, a period in history in which there was greater openness, boldness and accessibility in the representation of certain themes considered taboo by some habits and customs of the time, as is the case with some spiritual practices. Taking advantage of this facility on the part of Queen Victoria of the United Kingdom herself, a new trend is taking place in the reproduction of spectrums, benefiting from the abundance of various existing literatures around legends, mythologies, stories, fables and other literary genres. The translucency and luminous resplendence of these beings that have undergone several graphic transformations are explored. The appreciation of light and shadow, transparencies, and morphological expressiveness are aspects that continue to be sought after and continue to arouse curiosity to this day. Over time, the technique for representing spectra evolves step by step with the advancement of the development of new materials and drawing creation supports. |
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| Autores principais: | Tavares, Abrão de Barros |
| Assunto: | Desenho Espiritualidade Espectro Campo mórfico Pré-Rafaelitas Percepção extrassensorial Criação artística Visível (Atributo) Fantasma |
| Ano: | 2025 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | This project aims to highlight the importance of the extrasensory approach applied to artistic practices, especially drawing, for a better and accessible understanding of the most diverse forms of artistic creation, in different phases, innovations in the growth of human beings. It is based on three pillars: spirituality, science and art. To this end, scientific experiments based on the calculation of probabilities applied to the scientific method, especially in physics and chemistry, are used as an example to support this work. Science over time has shown and demonstrated the existence of so-called extrasensory perception, through the most varied tests carried out in careful and controlled environments. In turn, these spiritual practices carried out by some more ancient cultures as a form of manifestation of the inner Self, merge with science that give greater relevance, with art as a guiding thread and manifestations of all this transdisciplinarity. The 19th century stands out, a period in history in which there was greater openness, boldness and accessibility in the representation of certain themes considered taboo by some habits and customs of the time, as is the case with some spiritual practices. Taking advantage of this facility on the part of Queen Victoria of the United Kingdom herself, a new trend is taking place in the reproduction of spectrums, benefiting from the abundance of various existing literatures around legends, mythologies, stories, fables and other literary genres. The translucency and luminous resplendence of these beings that have undergone several graphic transformations are explored. The appreciation of light and shadow, transparencies, and morphological expressiveness are aspects that continue to be sought after and continue to arouse curiosity to this day. Over time, the technique for representing spectra evolves step by step with the advancement of the development of new materials and drawing creation supports. |
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