Publicação

Inventário e conservação no acervo de Audiovisuais da Faculdade de Belas-Artes da Universidade de Lisboa

Ver documento

Detalhes bibliográficos
Resumo:Between 1987 and 2004, as part of an initiative of the Center of Image and Narrative Techniques (CITEN) of the Modern Art Center José de Azeredo Perdigão/Foundation Calouste Gulbenkian, dozens of animation courses and workshops were held. In 2005, this initiative was integrated in the Research and Study Center for Art and Multimedia (CIEAM) of the Faculty of Fine Arts of the University of Lisbon (FBAUL). This research project focuses on the preservation of the audiovisual materials resulting from these courses, currently part of the collection of the Department of Multimedia of FBAUL. As one of the main problems was the lack of information about the materials that made up the collection, efforts were made to identify, quantify, label, and photographically document all the tapes. The next step in the process was viewing and digitizing, whenever possible and appropriate, and finally storing the tapes in as stable conditions as possible, to ensure that they will remain accessible in the future.
Autores principais:Nascimento, Maria Salgueiro do
Assunto:Conservação Arquivos audiovisuais Digitalização Cassetes de vídeo Inventariação Catalogação
Ano:2024
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
Descrição
Resumo:Between 1987 and 2004, as part of an initiative of the Center of Image and Narrative Techniques (CITEN) of the Modern Art Center José de Azeredo Perdigão/Foundation Calouste Gulbenkian, dozens of animation courses and workshops were held. In 2005, this initiative was integrated in the Research and Study Center for Art and Multimedia (CIEAM) of the Faculty of Fine Arts of the University of Lisbon (FBAUL). This research project focuses on the preservation of the audiovisual materials resulting from these courses, currently part of the collection of the Department of Multimedia of FBAUL. As one of the main problems was the lack of information about the materials that made up the collection, efforts were made to identify, quantify, label, and photographically document all the tapes. The next step in the process was viewing and digitizing, whenever possible and appropriate, and finally storing the tapes in as stable conditions as possible, to ensure that they will remain accessible in the future.