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John Ruskin e as leis de composição no desenho da figura humana

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Resumo:This work talks about the 19th century’s critic John Ruskin and his laws of composition and it´s connection to drawings of the Human Figure. Firstly, we’re going to talk a brief biography of John Ruskin on the context of his origins with his understanding of the art of his time. Then we explore his book called The Elements of Drawing, not in the fullest, but in regard of the laws of composition using other’s point of view like Charles Blanc, William Hogarth, Jacques-Philippe Voïart and many more. In the end, and with Ruskin’s laws in mind, we’re going to study how they appear on drawings about human figure and how they work on the subject
Autores principais:Varela, Raquel Gomes de Sousa
Assunto:Ruskin, John, 1819-1900 Desenho Teoria do Desenho Figura humana Composição Contraste Luz Sombra
Ano:2023
País:Portugal
Tipo de documento:dissertação de mestrado
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:português
Origem:Repositório da Universidade de Lisboa
Descrição
Resumo:This work talks about the 19th century’s critic John Ruskin and his laws of composition and it´s connection to drawings of the Human Figure. Firstly, we’re going to talk a brief biography of John Ruskin on the context of his origins with his understanding of the art of his time. Then we explore his book called The Elements of Drawing, not in the fullest, but in regard of the laws of composition using other’s point of view like Charles Blanc, William Hogarth, Jacques-Philippe Voïart and many more. In the end, and with Ruskin’s laws in mind, we’re going to study how they appear on drawings about human figure and how they work on the subject