Publicação
Fotografia e resistência: narrativas invisíveis : If All Time is Eternally Present
| Resumo: | The central objective of this exploratory research is part of an artistic practice that takes advantage of an arts-based research methodology through the creation, production, and dissemination of practical artistic projects (project-based research) that aim to analyse how photography can contribute to uncovering invisible narratives. The ongoing research is based on a methodology that takes advantage of autoethnography as a tool to describe and analyse personal experiences that make visible a broader cultural context and changes in artistic practices. In this context, we intend to describe the authorial photographic practice anchored in analogue photography as a tool of resistance to the hegemonic practices of digital photography present in surveillance capitalism or late capitalism |
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| Autores principais: | Patrício, David Alexandre Infante |
| Assunto: | Arte multimédia Fotografia analógica Fotografia digital Resistência Ciberespaço Capitalismo Projeto If All Time Is A Eternally Present |
| Ano: | 2024 |
| País: | Portugal |
| Tipo de documento: | tese de doutoramento |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | The central objective of this exploratory research is part of an artistic practice that takes advantage of an arts-based research methodology through the creation, production, and dissemination of practical artistic projects (project-based research) that aim to analyse how photography can contribute to uncovering invisible narratives. The ongoing research is based on a methodology that takes advantage of autoethnography as a tool to describe and analyse personal experiences that make visible a broader cultural context and changes in artistic practices. In this context, we intend to describe the authorial photographic practice anchored in analogue photography as a tool of resistance to the hegemonic practices of digital photography present in surveillance capitalism or late capitalism |
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