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The Homeric Διὸς ἀπάτη and its reuse within the seventeenth-century Portuguese epic poem Ulisseia ou Lisboa Edificada

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Detalhes bibliográficos
Resumo:Ulisseia ou Lisboa Edificada (Ulysseia or Lisbon Founded) is a seventeenth-century epic poem written by Gabriel Pereira de Castro, which celebrates the mythical arrival of Ulysses in Lusitania and the subsequent foundation of Ulisseia by him. This city built by Greek hands comes to be Lisbon, the head of a great navy empire at the time of Portuguese Discoveries. This epic reshapes both the Odyssean sea voyages and Iliadic warfare, and Ulysses, the same crafty wanderer as the Homeric Odysseus, is also the bearer of a god-given mission like the Virgilian Aeneas. In this paper I examine the refashioning of the Homeric Διὸς ἀπάτη (‘Deception of Zeus’) in Ulisseia book 10 from a comparative and literary perspective. Castro follows his Greek model very closely but at the same time makes important deviations from it. He portrays the deceitful planning of Hera, with its erotic and humorous tone, and adapts it to the nationalistic purposes of his own epic story. Juno’s plan is granted a more serious tone, since its effects on the war between Greeks and Lusitanians are directly linked to the glorious Destiny of the Portuguese people.
Autores principais:Fonseca, Rui Carlos Reis, 1984-
Assunto:Ulisseia Gabriel Pereira de Castro Reception studies Epic Deception of Zeus
Ano:2022
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Universidade de Lisboa
Idioma:inglês
Origem:Repositório da Universidade de Lisboa
Descrição
Resumo:Ulisseia ou Lisboa Edificada (Ulysseia or Lisbon Founded) is a seventeenth-century epic poem written by Gabriel Pereira de Castro, which celebrates the mythical arrival of Ulysses in Lusitania and the subsequent foundation of Ulisseia by him. This city built by Greek hands comes to be Lisbon, the head of a great navy empire at the time of Portuguese Discoveries. This epic reshapes both the Odyssean sea voyages and Iliadic warfare, and Ulysses, the same crafty wanderer as the Homeric Odysseus, is also the bearer of a god-given mission like the Virgilian Aeneas. In this paper I examine the refashioning of the Homeric Διὸς ἀπάτη (‘Deception of Zeus’) in Ulisseia book 10 from a comparative and literary perspective. Castro follows his Greek model very closely but at the same time makes important deviations from it. He portrays the deceitful planning of Hera, with its erotic and humorous tone, and adapts it to the nationalistic purposes of his own epic story. Juno’s plan is granted a more serious tone, since its effects on the war between Greeks and Lusitanians are directly linked to the glorious Destiny of the Portuguese people.