Detalhes bibliográficos
| Resumo: | The dissertation is based on examples of contemporary artists whose work is based on and around Marian iconography and their attempts to perpetuate and understand the mother-child relationship. The intention is to explore and explain art based on the mother figure (the symbol of love) and then reuse the sanctified image of the Mother; specifically the Virgin Mary which they believe is able to more easily reach a public set within a modern visual culture. Its reinterpretation allows entry into a universe which joins a visual domain with a creative one that in turn justifies a third: the spiritual. The underlying objective in the artistic process is to achieve a contemporary essence and spirituality in art and to understand the artistic ideas and processes of the artists investigated |
|---|
| Autores principais: | Rebordão, Ana Filipa Lino, 1986- |
|---|
| Assunto: | Maternidade Essencialismo Criação artificial Iconografia Mariana |
|---|
| Ano: | 2011 |
|---|
| País: | Portugal |
|---|
| Tipo de documento: | dissertação de mestrado |
|---|
| Tipo de acesso: | acesso aberto |
|---|
| Instituição associada: | Universidade de Lisboa |
|---|
| Idioma: | português |
|---|
| Origem: | Repositório da Universidade de Lisboa |
|---|