Publicação
Iratxe Jaio y Klaas van Gorkum : el discurso como entramado performativo
| Resumo: | In their later works artists Iratxe Jaio and Klaas van Gorkum (Markina-Xemein, 1976 and Delft, 1975) have focused on near sociological research creative processes. Their proposals show how altering some protocols causes modifications with unpredictable results. These are the starting points for some of their projects such as Police Training (2011) and Last Words (2013). In them, the artists make visible aspects implicit in the speeches of certain groups and focus on the analysis of their performative quality |
|---|---|
| Autores principais: | Gauna, Concepción Elorza Ibáñez de |
| Assunto: | Jaio, Iratxe, 1976- Gorkum, Klaas van, 1975- Performance art Arte vídeo Teoria da arte Criticismo |
| Ano: | 2016 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | espanhol |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | In their later works artists Iratxe Jaio and Klaas van Gorkum (Markina-Xemein, 1976 and Delft, 1975) have focused on near sociological research creative processes. Their proposals show how altering some protocols causes modifications with unpredictable results. These are the starting points for some of their projects such as Police Training (2011) and Last Words (2013). In them, the artists make visible aspects implicit in the speeches of certain groups and focus on the analysis of their performative quality |
|---|