Detalhes bibliográficos
| Resumo: | The practice of photography creates a dialogue as an object of social analysis, beyond that of it's technical and formal specificities. An image holds a responsability, one that should be taken as an element of study to understand the History, seen as an efficitient form of reflection on the fate of Man and society. Paulo Nozolino's photographs tell personal stories and recall others lost in the course of history, in the search for personal truth, through a solitary praxis, marked by monochromatic tones. In this way, it becomes important to understand his work as an irreproachable mark on the history of portugeuse photography, one to be considered as a work of reference |
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| Autores principais: | Gonçalves, David Paulo Martins, 1990- |
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| Assunto: | Nozolino, Paulo, 1955- Benjamin, Walter, 1892-1940 Nietzsche, Friedrich, 1844-1900 Heidegger, Martin, 1889-1976 Tarkovsky, Andrei, 1932-1986 Tarr, Béla, 1955- Al Berto, pseud., 1948-1997 Nunes, Rui Baião, Rui Fotografia Ruínas Fragmentos Morte Preto e branco |
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| Ano: | 2016 |
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| País: | Portugal |
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| Tipo de documento: | dissertação de mestrado |
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| Tipo de acesso: | acesso aberto |
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| Instituição associada: | Universidade de Lisboa |
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| Idioma: | português |
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| Origem: | Repositório da Universidade de Lisboa |
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