Publicação
O encontro do imaginário no diálogo entre a obra Unheimlich de Walmor Corrêa e a histoire naturelle de Buffon : uma aproximação entre arte e ciência
| Resumo: | In this article, we establish a dialogue between the artist’s book Unheimlich: Brazilian popular imagination (2006) and the naturalist, mathematician and French writer GeorgesLouis Leclerc, Comte de Buffon’s work Histoire naturelle, générale et particulière, avec la description du Cabinet du Roy (1749). Seeking to approach art and science, it proposes a dialogue between Corrêa’s Ondina, and Buffon’s Child monstrous by the transposition of the viscera, noting that, while art appropriates and subverts images generated from scientific observation, science uses artistic procedures for different modes to register reality |
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| Autores principais: | Veneroso, Maria do Carmo de Feitas, 1954- |
| Assunto: | Corrêa, Walmor, 1962- Buffon, Georges Louis Leclerc, 1707-1788 Arte e ciência Observação Criação artística Criticismo |
| Ano: | 2016 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | In this article, we establish a dialogue between the artist’s book Unheimlich: Brazilian popular imagination (2006) and the naturalist, mathematician and French writer GeorgesLouis Leclerc, Comte de Buffon’s work Histoire naturelle, générale et particulière, avec la description du Cabinet du Roy (1749). Seeking to approach art and science, it proposes a dialogue between Corrêa’s Ondina, and Buffon’s Child monstrous by the transposition of the viscera, noting that, while art appropriates and subverts images generated from scientific observation, science uses artistic procedures for different modes to register reality |
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