Publicação
O espaço intermitente : a imagem no espaço e o espaço como imagem
| Resumo: | The dissertation O Espaço Intermitente (The Intermittent Space), has both a theoretical component and a practical component, and it was developed during the Master in Multimedia Arte/Audiovisuals of Faculdade de Belas Artes da Universidade de Lisboa (Faculty of Fine Arts - Lisbon University). The practical part of this work consists in a series of four videos. The videos in this series, called O Espaço Intermitente (The Intermittent Space), are small visual essays about the filmic image’s ability to dispose of the screen and appear in space as an object capable of altering space itself. Regarding the process, this four videos explore essentially the use of a screen inside of another screen, as a way to build the filmic space and derange physical space. The issues that arise from this practical experience will conduct the theoretical discussion present in this paper. The following text, at first, seeks to define the link between image and surface (in three different types of image: painting, photography and moving image) and use it to think about the spatial and temporal features of each one of these image types. In order to do so, the concepts of opacity and transparency are examined in light of scholars such as Brian O’Doherty, Régis Durand, Julian Gallego e André Bazin. The second part of the text aims to define the image as an object – surmountable, hermetic and reversible. The concept of reversibility is used to explain that images are independent from anything they might represent and to show that therefore, images can exist in space as autonomous bodies, as opposed to just two-dimensional copies of other bodies of fragments of space. This second part is based essentially on the ideas of Georges Didi-Huberman and Jacques Rancière |
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| Autores principais: | Antunes, Maria do Carmo Salgueiro Pinto, 1989- |
| Assunto: | Espaço Imagem Superfícies Transparência Dimensionalidade |
| Ano: | 2015 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | The dissertation O Espaço Intermitente (The Intermittent Space), has both a theoretical component and a practical component, and it was developed during the Master in Multimedia Arte/Audiovisuals of Faculdade de Belas Artes da Universidade de Lisboa (Faculty of Fine Arts - Lisbon University). The practical part of this work consists in a series of four videos. The videos in this series, called O Espaço Intermitente (The Intermittent Space), are small visual essays about the filmic image’s ability to dispose of the screen and appear in space as an object capable of altering space itself. Regarding the process, this four videos explore essentially the use of a screen inside of another screen, as a way to build the filmic space and derange physical space. The issues that arise from this practical experience will conduct the theoretical discussion present in this paper. The following text, at first, seeks to define the link between image and surface (in three different types of image: painting, photography and moving image) and use it to think about the spatial and temporal features of each one of these image types. In order to do so, the concepts of opacity and transparency are examined in light of scholars such as Brian O’Doherty, Régis Durand, Julian Gallego e André Bazin. The second part of the text aims to define the image as an object – surmountable, hermetic and reversible. The concept of reversibility is used to explain that images are independent from anything they might represent and to show that therefore, images can exist in space as autonomous bodies, as opposed to just two-dimensional copies of other bodies of fragments of space. This second part is based essentially on the ideas of Georges Didi-Huberman and Jacques Rancière |
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