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Adaptation and epistemic redress : the 1857 indian uprising in Junoon

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Resumo:Our interest – curiosity, even – in the Victorian Age has resulted in a continued investment in ventriloquising the Victorians themselves, as in the case of the various adaptations of Victorian novels and afterlives of Victorian literature in contemporary settings, as well as through neo-Victorian renditions. Towards an epistemic reading of adaptation, this chapter discusses the Hindi film Junoon (1979), directed by Shyam Benegal and produced by Shashi Kapoor, a screen adaptation of the neo-Victorian novella A Flight of Pigeons (1978) by Anglo-Indian author Ruskin Bond, set during the 1857 Indian uprising against British rule, as a creative exercise of epistemic redress whose locus of enunciation and adaptation is a former colony of the British empire.
Autores principais:Mendes, Ana Cristina
Assunto:Postcolonial studies Cinema studies Shyam Benegal Victorian studies India Indian cinema Neo-Victorianism Adaptation studies
Ano:2023
País:Portugal
Tipo de documento:capítulo de livro
Tipo de acesso:acesso restrito
Instituição associada:Universidade de Lisboa
Idioma:inglês
Origem:Repositório da Universidade de Lisboa
Descrição
Resumo:Our interest – curiosity, even – in the Victorian Age has resulted in a continued investment in ventriloquising the Victorians themselves, as in the case of the various adaptations of Victorian novels and afterlives of Victorian literature in contemporary settings, as well as through neo-Victorian renditions. Towards an epistemic reading of adaptation, this chapter discusses the Hindi film Junoon (1979), directed by Shyam Benegal and produced by Shashi Kapoor, a screen adaptation of the neo-Victorian novella A Flight of Pigeons (1978) by Anglo-Indian author Ruskin Bond, set during the 1857 Indian uprising against British rule, as a creative exercise of epistemic redress whose locus of enunciation and adaptation is a former colony of the British empire.