Publicação
José António Jorge Pinto, estudo sobre o artista e sua obra azulejar
| Resumo: | This work is dedicated to the ceramist José António Jorge Pinto (1875-1945), who is widely recognized for his work in tile painting, mainly in the Art Nouveau period in Portugal. Despite the recognition of José António Jorge Pinto tile work, little or nothing is known about his production technique or the materials used by him. The main objective of this work is to characterize the materials and production technique used in two of his panels (1906 and 1923-28). These two panels were selected based on the research carried out on the author and his work. To this end, the panels were examined and analyzed using a set of non-destructive examinations and analyses. The techniques used in this study were digital microscopic mode. In this way, the aim is to minimize the gap that exists regarding the materials and production techniques of this author, thus contributing to a more in-depth knowledge of his work. The results obtained on the two panels are very similar in terms of the glaze and pigments used. The glazes presented lead (Pb) based flux and cassiterite (SnO2) as the opacifier. Naples yellow (Pb2Sb2O7) was identified in the yellow colour, with the possibility of using the triple oxide (Sn-Sb-Pb). The blue is cobalt (Co) based and the greens resulted from mixing blues with the yellows. In the pink colour, malayaite (CaO∙SnO2∙SiO2) doped with chromium (Cr) was identified and the blackswere manganese (Mm) based darkened with iron (Fe) and Cobalt (Co), and in “La Pastourelle”, also with Cr |
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| Autores principais: | Lima, Flávia Caroline Martins |
| Assunto: | Arte Nova Azulejaria portuguesa Estudo da materialidade Pinto, José António Jorge, 1875-1945 Estudo analítico |
| Ano: | 2024 |
| País: | Portugal |
| Tipo de documento: | dissertação de mestrado |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | português |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | This work is dedicated to the ceramist José António Jorge Pinto (1875-1945), who is widely recognized for his work in tile painting, mainly in the Art Nouveau period in Portugal. Despite the recognition of José António Jorge Pinto tile work, little or nothing is known about his production technique or the materials used by him. The main objective of this work is to characterize the materials and production technique used in two of his panels (1906 and 1923-28). These two panels were selected based on the research carried out on the author and his work. To this end, the panels were examined and analyzed using a set of non-destructive examinations and analyses. The techniques used in this study were digital microscopic mode. In this way, the aim is to minimize the gap that exists regarding the materials and production techniques of this author, thus contributing to a more in-depth knowledge of his work. The results obtained on the two panels are very similar in terms of the glaze and pigments used. The glazes presented lead (Pb) based flux and cassiterite (SnO2) as the opacifier. Naples yellow (Pb2Sb2O7) was identified in the yellow colour, with the possibility of using the triple oxide (Sn-Sb-Pb). The blue is cobalt (Co) based and the greens resulted from mixing blues with the yellows. In the pink colour, malayaite (CaO∙SnO2∙SiO2) doped with chromium (Cr) was identified and the blackswere manganese (Mm) based darkened with iron (Fe) and Cobalt (Co), and in “La Pastourelle”, also with Cr |
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