Publicação
Mid-twentieth century radio art : The ontological insecurity of the radio text
| Resumo: | In this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text. I explore how the evanescence commonly associated with sound in general and radio in particular caused mid-twentieth century radio practitioners like Samuel Beckett, Harold Pinter, and Tom Stoppard to strive for both the simplicity of a superficially intelligible aural text and the complexity stemming from the thematisation of ambiguity and epistemological uncertainty. |
|---|---|
| Autores principais: | Querido, Pedro |
| Assunto: | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório da Universidade de Lisboa |
| Resumo: | In this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text. I explore how the evanescence commonly associated with sound in general and radio in particular caused mid-twentieth century radio practitioners like Samuel Beckett, Harold Pinter, and Tom Stoppard to strive for both the simplicity of a superficially intelligible aural text and the complexity stemming from the thematisation of ambiguity and epistemological uncertainty. |
|---|