Publicação
Mid-twentieth century radio art : The ontological insecurity of the radio text
| Resumo: | In this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text. I explore how the evanescence commonly associated with sound in general and radio in particular caused mid-twentieth century radio practitioners like Samuel Beckett, Harold Pinter, and Tom Stoppard to strive for both the simplicity of a superficially intelligible aural text and the complexity stemming from the thematisation of ambiguity and epistemological uncertainty. |
|---|---|
| Autores principais: | Querido, Pedro |
| Assunto: | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| Ano: | 2019 |
| País: | Portugal |
| Tipo de documento: | artigo |
| Tipo de acesso: | acesso aberto |
| Instituição associada: | Universidade de Lisboa |
| Idioma: | inglês |
| Origem: | Repositório da Universidade de Lisboa |
| _version_ | 1866811257299927040 |
|---|---|
| author | Querido, Pedro |
| author_facet | Querido, Pedro |
| author_role | author |
| contributor_name_str_mv | Repositório Científico de Acesso Aberto da ULisboa |
| country_str | PT |
| creators_json_txt | [{\"Person.name\":\"Querido, Pedro\"}] |
| datacite.contributors.contributor.contributorName.fl_str_mv | Repositório Científico de Acesso Aberto da ULisboa |
| datacite.creators.creator.creatorName.fl_str_mv | Querido, Pedro |
| datacite.date.Accepted.fl_str_mv | 2019-01-01T00:00:00Z |
| datacite.date.available.fl_str_mv | 2021-03-08T09:12:37Z |
| datacite.date.embargoed.fl_str_mv | 2021-03-08T09:12:37Z |
| datacite.rights.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| datacite.subjects.subject.fl_str_mv | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| datacite.titles.title.fl_str_mv | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| dc.contributor.none.fl_str_mv | Repositório Científico de Acesso Aberto da ULisboa |
| dc.creator.none.fl_str_mv | Querido, Pedro |
| dc.date.Accepted.fl_str_mv | 2019-01-01T00:00:00Z |
| dc.date.available.fl_str_mv | 2021-03-08T09:12:37Z |
| dc.date.embargoed.fl_str_mv | 2021-03-08T09:12:37Z |
| dc.format.none.fl_str_mv | application/pdf |
| dc.identifier.none.fl_str_mv | http://hdl.handle.net/10451/46705 |
| dc.language.none.fl_str_mv | eng |
| dc.publisher.none.fl_str_mv | Amsterdam University Press |
| dc.rights.cclincense.fl_str_mv | http://creativecommons.org/licenses/by-nc-nd/4.0/ |
| dc.rights.none.fl_str_mv | http://purl.org/coar/access_right/c_abf2 |
| dc.subject.none.fl_str_mv | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| dc.title.fl_str_mv | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| dc.type.none.fl_str_mv | http://purl.org/coar/resource_type/c_6501 |
| description | In this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text. I explore how the evanescence commonly associated with sound in general and radio in particular caused mid-twentieth century radio practitioners like Samuel Beckett, Harold Pinter, and Tom Stoppard to strive for both the simplicity of a superficially intelligible aural text and the complexity stemming from the thematisation of ambiguity and epistemological uncertainty. |
| dirty | 0 |
| eu_rights_str_mv | openAccess |
| format | article |
| fulltext.url.fl_str_mv | https://repositorio.ulisboa.pt/bitstreams/911aadf4-979b-4dab-8dd2-3fa1646a27af/download |
| funding.funder.alternateName_str_mv | FCT |
| funding.funder.identifier_str_mv | http://doi.org/10.13039/501100001871 |
| funding.funder.name_str_mv | Fundação para a Ciência e a Tecnologia |
| funding.name_str_mv | OE |
| id | ul_ec4e65923ce98d1385e4e1e784f8a542 |
| identifier.url.fl_str_mv | http://hdl.handle.net/10451/46705 |
| instacron_str | ul |
| institution | Universidade de Lisboa |
| instname_str | Universidade de Lisboa |
| language | eng |
| network_acronym_str | ul |
| network_name_str | Repositório da Universidade de Lisboa |
| oai_identifier_str | oai:repositorio.ulisboa.pt:10451/46705 |
| organization_str_mv | urn:organizationAcronym:ul |
| person_str_mv | Querido, Pedro |
| publishDate | 2019 |
| publisher.none.fl_str_mv | Amsterdam University Press |
| reponame_str | Repositório da Universidade de Lisboa |
| repository_id_str | urn:repositoryAcronym:ul |
| service_str_mv | urn:repositoryAcronym:ul |
| spelling | engAmsterdam University Presspt_PTIn this article, I set out to examine the ontological instability of mid-twentieth century artistic works written for the medium of radio that derives from the tension between transient sound and permanent text. I explore how the evanescence commonly associated with sound in general and radio in particular caused mid-twentieth century radio practitioners like Samuel Beckett, Harold Pinter, and Tom Stoppard to strive for both the simplicity of a superficially intelligible aural text and the complexity stemming from the thematisation of ambiguity and epistemological uncertainty.application/pdfpt_PTMid-twentieth century radio art : The ontological insecurity of the radio textQuerido, PedroHostingInstitutionOrganizationalRepositório Científico de Acesso Aberto da ULisboae-mailmailto:repositorio@reitoria.ulisboa.ptrepositorio@reitoria.ulisboa.ptDOIIsPartOfhttps://doi.org/10.25969/mediarep/131402021-03-08T09:12:37Z20192019-01-01T00:00:00ZHandlehttp://hdl.handle.net/10451/46705http://purl.org/coar/access_right/c_abf2open accessThird ProgrammeBritainRadioEphemeralityIntelligibilityAmbiguity329017 bytesFundação para a Ciência e a TecnologiaWho may tell the tale of the old man: The Interplay Between Old Age and The AbsurdOECrossref Funder IDhttp://doi.org/10.13039/501100001871literaturehttp://purl.org/coar/resource_type/c_6501journal article2019http://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2application/pdffulltexthttps://repositorio.ulisboa.pt/bitstreams/911aadf4-979b-4dab-8dd2-3fa1646a27af/downloadNECSUS. European Journal of Media Studies91111 |
| spellingShingle | Mid-twentieth century radio art : The ontological insecurity of the radio text Querido, Pedro Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| status | SINGLETON |
| subject.fl_str_mv | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| title | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| title_full | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| title_fullStr | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| title_full_unstemmed | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| title_short | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| title_sort | Mid-twentieth century radio art : The ontological insecurity of the radio text |
| topic | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| topic_facet | Third Programme Britain Radio Ephemerality Intelligibility Ambiguity |
| url | http://hdl.handle.net/10451/46705 |
| visible | 1 |