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Performing arts and rurality: the search for the spirit of the territory

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Resumo:This article is based on ethnographic fieldwork conducted in a Portuguese community located in northern Portugal that shares its daily life with a theatre company. This research is theoretically grounded in the intersection between cultural heritage and memory studies that are used as pillars to capture the spirit of this territory. By gathering in their leisure time around theatre and other artistic experiences, this group of people activates a sense of belonging to the community through the sharing of practices and knowledge. The episodes described in this article were captured over two years through a series of interviews and participatory activities. The activities performed were videotaped and, as a whole, take part in a larger project aimed at building a virtual museum. More than an archive or repository composed of material objects of this theatre company, this museum experience is built from a collection of memories of this diverse inter-municipal community that coexists daily with artistic experiences that aggregate and challenge the sensibility of the population.
Autores principais:Temudo, Ana
Assunto:Community Cultural heritage and memory Participatory ethnography Performing arts Etnografia participativa Artes performativas Comunidade Património cultural Memória
Ano:2022
País:Portugal
Tipo de documento:artigo
Tipo de acesso:acesso aberto
Instituição associada:Universidade Católica Portuguesa
Idioma:inglês
Origem:Veritati - Repositório Institucional da Universidade Católica Portuguesa
Descrição
Resumo:This article is based on ethnographic fieldwork conducted in a Portuguese community located in northern Portugal that shares its daily life with a theatre company. This research is theoretically grounded in the intersection between cultural heritage and memory studies that are used as pillars to capture the spirit of this territory. By gathering in their leisure time around theatre and other artistic experiences, this group of people activates a sense of belonging to the community through the sharing of practices and knowledge. The episodes described in this article were captured over two years through a series of interviews and participatory activities. The activities performed were videotaped and, as a whole, take part in a larger project aimed at building a virtual museum. More than an archive or repository composed of material objects of this theatre company, this museum experience is built from a collection of memories of this diverse inter-municipal community that coexists daily with artistic experiences that aggregate and challenge the sensibility of the population.